Walker Art Center

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27 Facets of the 2014 Rock the Garden Lineup

By Chris Mode April 15, 2014

From Long Island hip hop pioneers De La Soul to the punk pop of Best Coast, from Memphis-based Valerie June’s mix of country, gospel, and bluegrass to Guided By Voices’ lo-fi indie, Rock the Garden 2014 may offer the series’ most eclectic lineup yet. To introduce bands in Rock the Garden’s inaugural year as a two-day festival, writer Chris Mode digs into each band’s past, habits, and local connections. More

Rock the Garden returns as a two-day festival June 21–22, 2014.

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This Just In: 25 Works Join the Walker Collection

By Bartholomew Ryan & Catelyn Holm April 11, 2014

Spanning geographies, generations, and media, new additions to the Walker collection help present this institution’s thinking about the changing nature of art as well as its responsibility to support artists. Together these 25 newly acquired works—by Adrian Piper, Shusaku Arakawa, Steve McQueen, Allan Sekula, and others—present a complex portrait of not only our holdings but of contemporary art today. More

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Muriel Cooper: Turning Time into Space

By Dante Carlos April 9, 2014

Muriel Cooper (1925–1994) is best known for the modernist sensibility she brought to designs for MIT Press’ publications and, later, for pioneering work at MIT’s Visible Language Workshop, where she advanced thinking on design and typography in the digital realm. Dante Carlos discusses a new show on Cooper’s legacy, Messages and Means, with exhibition co-curators David Reinfurt and Robert Wiesenberger. More

For more on Cooper, listen to audio of her 1987 Walker lecture “Art and Technology in the Information Age.”

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Edward Hopper Painting Hosts Writers’ Residency

By Chris Fischbach March 31, 2014

When asked to take up “residency” in Edward Hopper’s 1940 painting Office at Night, Kate Bernheimer agreed, then asked the Walker if period costumes would be provided. It turns out the resulting novella she and Laird Hunt wrote didn’t need such accoutrements: “We didn’t find ourselves assigning roles by gender. We traveled as desire took us from body to body, object to object, in the painting instead.” More

A new novella by Kate Bernheimer and Laird Hunt, inspired by Edward Hopper’s Office at Night, will be published on the Walker website, with new chapters appearing each weekday between March 31 and May 2, 2014. Hopper Drawing: A Painter’s Process is on view March 13—June 20, 2014.

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Intolerance, Publishing, and the Westboro Baptists

By Emmet Byrne March 22, 2014

Walker design director Emmet Byrne’s research into unexpected self-publishing three years ago put him in touch with Steve Drain, a member of the notoriously anti-gay Westboro Baptist Church. With news of the church founder’s death, he dug out the interview, which sprang from one question: “Is there anything to be learned about design from someone whose values are so radically different from my own?”  More

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Hopper’s Process: A Long Gestation in the Mind

March 21, 2014

“It’s a long process of gestation in the mind and a rising emotion.” Overlaying the artist’s sketches with the celebrated paintings they led to, Walker media producer Andy Underwood-Bultmann shares a rare 1961 interview with Edward Hopper (1882–1967) as the artist offers a glimpse into the slow, methodical development of his work. More

Hopper Drawing: A Painter’s Process is on view March 13–June 20, 2014.

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Lance Wyman: Olympic Design and a 1968 Massacre

By Emmet Byrne March 20, 2014

In Lance Wyman’s design for the 1968 Olympic logo, radiating lines suggested Aztec carving, Huichol painting, and the pulsing hues of Op art. But when Mexican police opened fire on a student rally days before the “Games of Peace” began, his work took on the vibration of discord, offering protesters a language for dissent. Today he reflects on his iconic design and its relation to that turbulent history. More

Lance Wyman spoke on March 4 as part of the 2014 Insights Design Lecture Series. His talk can be viewed on the Walker Channel.

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Edward Hopper, Village Person

By Julie Lasky March 13, 2014

Edward Hopper (1882–1967) was “a poet of the abyss, a chronicler of discontinuity and disruption, who seemed to need a static environment from which he could take inventory of what was emotionally solid and measure the distance to the nearest patch of null,” writes Julie Lasky. She visits that environment, the minimally furnished Greenwich Village apartment he lived and worked in for a half century. More

Hopper Drawing: A Painter’s Process is on view March 13–June 20, 2014.

Art News from Elsewhere More

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Via guernicamag.com

Independent Business (External)

Graywolf Press publisher Fiona McCrae talks about rising through the ranks in a male-dominated work environment, the artistic advantages of publishing with a smaller press, and the role social media plays in the paperback industry.

VA

Via nytimes

Jonas in Venice (External)

Pioneering performance and video artist Joan Jonas has been selected to represent the US at the 2015 Venice Biennale. Jonas, 78, will transform the American pavilion through a new site-specific installation using video, drawings, objects, and sounds.

NM

Via theguardian.com

Time Machine (External)

Twitter accounts such as @retronaut, @HistoryInPix, and @IndiaHistoryPic bring the past to life with collections of historical photographs that not only capture the time they were taken, but give an unsettling sense of being here and now.


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Via blouinartinfo.com

Desert Space (External)

Richard Serra discusses creating East-West/West-East in the Qatari Desert, including how the monument rises to meet two levels in the landscape, builds a space of reflection in the vastness of the desert, and joins western work to the eastern world.

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Via nytimes.com

Passings: Fred Ho (External)

Avant-garde saxophonist, radical activist, and self-described “matriarchal socialist and aspiring Luddite” Fred Ho has died at age 56. Creating music that fused jazz with “Afro-Asian culture,” he says his hope was that his “music would inspire revolution.”

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Via hyperallergic.com

Permanence in Paint (External)

Molly Zuckerman-Hartung, artist and author of The 95 Theses of Painting, explains her anti-aesthetic Riot Grrrl roots, recent ideas about artists platforming artists, and why the permanence of painting influences her chauvinism towards the medium.


Minnesota Art News

Via mnartists.org

Northrop Renewed

A feeling of the uncanny was among sensations shared by audience members enmeshed in the exuberance of the grand opening of Northrop’s transformation at the University of Minnesota on April 4. More

Via mnartists.org

JXTA+

Juxtaposition Arts’ innovative youth art and design lab is growing fast and getting national recognition for putting North Minneapolis young people to work for their community and lighting a path to sustainable careers in the arts.  More

Artspeaks
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Commentary

Jim Hodges’ Here’s where we will stay

Olga Viso, Walker Art Center director and exhibition co-curator, discusses Here’s where we will stay (1995), part of the exhibition Jim Hodges: Give More Than You TakeMore

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Commentary

Obliterating the Frame: Steve McQueen on Art and Film

“I never tried to do anything to make my films friendly.” From his start in Britain’s video art scene in the 1990s to his first feature film in 2008 to the Oscar-nominated 12 Years a Slave, Steve… More

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Commentary

Claes Oldenburg’s Geometric Mouse

Claes Oldenburg demonstrates multiple configurations of Geometric Mouse, part of the exhibition Claes Oldenburg: The Sixties at the Walker Art Center. More

Walker Channel
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Dialogue / Interview

luciana achugar in Conversation with Michèle Steinwald

luciana achugar joins independent dance curator Michèle Steinwald for a discussion after the world premiere of OTRO TEATRO, a work commissioned by the Walker Art Center. While discussing the… More

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Lecture

Henrik Nygren, Stockholm

There is an effortless simplicity to Henrik Nygren’s work, a Scandinavian modernism that stands in counterpoint to the excess of most visual communication today. His art direction of Stockholm New magazine in the 1990s presaged a global return to restrained… More

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Trailer

75 Years of Walker Design

To celebrate the Walker’s 75th year as a public arts institution, our design department created a visual chronology of Walker design through the years. Included in the video are key design exhibitions, publications, and programs… More

Quoted

Ongoing Series

Office at Night: A Novella

Writers Kate Bernheimer and Laird Hunt “take up residence” inside Edward Hopper’s Office at Night to create this serial novella.

Conversations on the Commons

Standouts from 2013 by a range of artists and thinkers, including Ralph Lemon, JoAnn Verburg, Martine Syms, and Experimental Jetset.

Lowercase P

An election-year series on personal politics and the way artists contribute to the conversation on making a better society.

From the Archives

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Philip Bither

Trisha Brown: From Falling and Its Opposite, and All the In-Betweens

Philip Bither highlights some of Trisha Brown’s less-recognized but tremendously influential dance innovations, from aerial movement inventions to equipment-based performance. More

Via walkerart.org

Buoyant Monoliths

In 2012, well in advance of the survey Jim Hodges: Give More Than You Take, the Walker announced the addition of an iconic new outdoor work by the artist.  More

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Dialogue

Interview: Mike Kelley

As MoMA PS1 presents its survey of the career of the late Mike Kelley, we recall our 2005 dialogue between the artist and critic John Welchmann.  More