- 11 am – 9 pm
- 11 am – 5 pm
- 11 am – 9 pm
To ensure that “Catalyst” is more than just a name for its new coffee blend, the Walker teamed up with importers and roasters who seek to change the coffee industry by supporting organic growers working in fair trade cooperatives and championing environmentally friendly practices. Heavy Table founder James Norton walks through the lifespan of the sustainable beans that make up the Walker’s new blend. More
As spring reminds us of the life/death/life cycle, a new work in the Minneapolis Sculpture Garden stands as a marker of such transitions. The clapperless bell in Kris Martin’s For Whom… offers a silent meditation on time’s passage. Here the Belgian artist discusses the work; his use of humor, absence, and shock (or the lack thereof); and a favorite film, fittingly, Monty Python’s The Meaning of Life. More
From Long Island hip hop pioneers De La Soul to the surf pop of Best Coast, from Memphis-based Valerie June’s mix of country, gospel, and bluegrass to Guided By Voices’ lo-fi indie, Rock the Garden 2014 may offer the series’ most eclectic lineup yet. To introduce bands in Rock the Garden’s inaugural year as a two-day festival, writer Chris Mode digs into each band’s past, habits, and local connections. More
Rock the Garden returns as a two-day festival June 21–22, 2014.
Spanning geographies, generations, and media, new additions to the Walker collection help present this institution’s thinking about the changing nature of art as well as its responsibility to support artists. Together these 25 newly acquired works—by Adrian Piper, Shusaku Arakawa, Steve McQueen, Allan Sekula, and others—present a complex portrait of not only our holdings but of contemporary art today. More
Muriel Cooper (1925–1994) is best known for the modernist sensibility she brought to designs for MIT Press’ publications and, later, for pioneering work at MIT’s Visible Language Workshop, where she advanced thinking on design and typography in the digital realm. Dante Carlos discusses a new show on Cooper’s legacy, Messages and Means, with exhibition co-curators David Reinfurt and Robert Wiesenberger. More
For more on Cooper, listen to audio of her 1987 Walker lecture “Art and Technology in the Information Age.”
When asked to take up “residency” in Edward Hopper’s 1940 painting Office at Night, Kate Bernheimer agreed, then asked the Walker if period costumes would be provided. It turns out the resulting novella she and Laird Hunt wrote didn’t need such accoutrements: “We didn’t find ourselves assigning roles by gender. We traveled as desire took us from body to body, object to object, in the painting instead.” More
“It’s a long process of gestation in the mind and a rising emotion.” Overlaying the artist’s sketches with the celebrated paintings they led to, Walker media producer Andy Underwood-Bultmann shares a rare 1961 interview with Edward Hopper (1882–1967) as the artist offers a glimpse into the slow, methodical development of his work. More
Hopper Drawing: A Painter’s Process is on view March 13–June 20, 2014.
In Lance Wyman’s design for the 1968 Olympic logo, radiating lines suggested Aztec carving, Huichol painting, and the pulsing hues of Op art. But when Mexican police opened fire on a student rally days before the “Games of Peace” began, his work took on the vibration of discord, offering protesters a language for dissent. Today he reflects on his iconic design and its relation to that turbulent history. More
Lance Wyman spoke on March 4 as part of the 2014 Insights Design Lecture Series. His talk can be viewed on the Walker Channel.
Anonymous agitprop activists the Guerrilla Girls loudly drew attention to gender inequalities in the art world. Member “Frida Kahlo” recently spoke on the Girls’ legacy, including an increased worldwide feminist voice seen in activists like Pussy Riot.
Visual artist Takashi Murakami’s debut feature film—opening at art museums cross-country next month—uses an E.T.-meets-Pokémon aesthetic to tell a post-Fukushima tale of strange creatures and the children who (try to) control them.
The seven finalists in the London’s Design Museum annual Design of the Year survey, narrowed from 76 nominations, range from VW’s XL1 hybrid car to James Bridle’s Drone Shadows to a portable eye examination kit by Dr. Andrew Bastawrous et al.
Hip-hop’s dominance “looks in one sense like an unequivocal victory,” writes the Root’s Questlove. “Young America now embraces hip-hop as the signal pop-music genre of its time. So why does that victory feel strange: not exactly hollow, but a little haunted?”
Minneapolis-based critic and curator Sandra Teitge reports from Marfa, Texas, in the first of an occasional series of dispatches from outposts at the periphery of the art world. More
Olga Viso, Walker Art Center director and exhibition co-curator, discusses Here’s where we will stay (1995), part of the exhibition Jim Hodges: Give More Than You Take. More
“I never tried to do anything to make my films friendly.” From his start in Britain’s video art scene in the 1990s to his first feature film in 2008 to the Oscar-nominated 12 Years a Slave, Steve… More
luciana achugar joins independent dance curator Michèle Steinwald for a discussion after the world premiere of OTRO TEATRO, a work commissioned by the Walker Art Center. While discussing the… More
There is an effortless simplicity to Henrik Nygren’s work, a Scandinavian modernism that stands in counterpoint to the excess of most visual communication today. His art direction of Stockholm New magazine in the 1990s presaged a global return to restrained… More
Writers Kate Bernheimer and Laird Hunt “take up residence” inside Edward Hopper’s Office at Night to create this serial novella.
Standouts from 2013 by a range of artists and thinkers, including Ralph Lemon, JoAnn Verburg, Martine Syms, and Experimental Jetset.
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Philip Bither highlights some of Trisha Brown’s less-recognized but tremendously influential dance innovations, from aerial movement inventions to equipment-based performance. More
In 2012, well in advance of the survey Jim Hodges: Give More Than You Take, the Walker announced the addition of an iconic new outdoor work by the artist. More