Walker Art Center

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Film Without Film: Derek Jarman’s Blue

By Isla Leaver-Yap October 23, 2014

Described as a film without materiality, Derek Jarman’s Blue consists of an unvarying 79-minute view of International Klein Blue, animated by a soundtrack chronicling his experiences living with AIDS. The work’s formlessness parallels that of the disease that killed him in 1994. By the time Blue was finished, complications from AIDS and its treatments left Jarman with a haze of blue in place of vision. More

A rare 35mm print of Derek Jarman’s Blue (1993) will be screened October 29, 2014.


The Cerebral and Bodily Art of Ryoji Ikeda

By Sam Segal October 21, 2014

Ryoji Ikeda’s art might be described as cerebral, as evidenced by recent accomplishments, from a collaboration with a Harvard number theorist to his awarding of the 2014 Prix Ars Electronica Collide at CERN. But that doesn’t mean his art isn’t visceral: it circumvents cognitive processing by going straight for our bodies, and you don’t need a PhD in theoretical mathematics to feel the effects. More

Ryoji Ikeda’s superposition will be performed October 24–25, 2014.


“Notice Me”: Chuck Close on Big Self-Portrait

October 13, 2014

“There’s no question, I had some attitude about the way I wanted to be perceived,” said Chuck Close of Big Self-Portrait in 1980. “Now it seems very funny wanting to look like this tough guy with a cigarette sticking out of the corner of my mouth and a big, aggressive image of myself, saying to the viewer, ‘Hey, notice my painting, notice me.’ I think I was trying to find out who I was as an artist.” More

Chuck Close’s Big Self-Portrait (1967–1968) is featured in the WALKER@75 exhibition Art at the Center: 75 Years of Walker Collections, on view October 16, 2014–September 11, 2016.


The Best of Five Decades of Design Quarterly

By Andrew Blauvelt October 10, 2014

For nearly fifty years, the Walker’s Design Quarterly chronicled the changing terrains of architecture, landscape architecture, urban planning, and product and graphic design. Featuring provocative thinkers—including Muriel Cooper, Martin Filler, and Armin Hofmann—DQ charted design’s history, from a form-follows-function modernism of the ’40s to the affectations of postmodernism in the ’80s and ’90s. More

As part of the Walker’s 75th anniversary celebration, 15 issues of Design Quarterly have been made available for free download.


Question Everything

By Olga Viso October 9, 2014

What does it mean to present the art of our time? Why do we need a safe place for unsafe ideas? How can art show us who we are—and aren’t? The Walker’s founding as a public art center in 1940 was sparked by a question, and during the 75 years since it’s been animated by relentless inquisitiveness. Launching our 75th anniversary celebration, Olga Viso reflects on the power of the well-formed question. More

In anticipation of the Walker’s 75th anniversary as a public art center, Olga Viso launches our WALKER@75 celebration with an ode to questioning.


A Seat at the Table

By Nicole J. Caruth October 7, 2014

The metaphor of the table evokes images of folks coming together to break bread or discuss personal and political issues. For Seitu Jones and Theaster Gates, the table is more than a metaphor; it’s a medium. In the Twin Cities, their tables are provoking dialogue about systemic reform, in local foodways and cultural institutions. Can these conversations effect change? Or is the change the conversation itself? More

Theaster Gates’s See, Sit, Sup, Sip, Sing: Holding Court is on view in the exhibition Radical Presence: Black Performance in Contemporary Art, on view through January 4, 2015.


La Cultura de la Basura: On Music & Misogyny

By Ana Tijoux October 2, 2014

“Where are the videos showing a woman in her role as sister—or protector, or economic head of family, or devoted daughter, or grandmother dignified in her old age?” In her Artist Op-Ed, Chilean hip-hop MC and activist Ana Tijoux looks at la violencia del cuerpo en la musica: the objectification of female pop stars, which she likens to “visual punches: it’s about snatching away the very beauty of women.” More

Santiago-based hip-hop artist Ana Tijoux, who performs October 4, 2014, contributes an Artist Op-Ed. Like others in this ongoing series, her online essay is also available as a print-on-demand pamphlet.


Topless Cellist

By Joan Rothfuss September 25, 2014

“A female shaman for the McLuhan age,” Juilliard-trained cellist Charlotte Moorman is best known as Nam June Paik’s formidable collaborator, often performing nude as she activated his avant-garde works. In this exclusive excerpt from Topless Cellist, art historian Joan Rothfuss explores the creation of Paik’s TV Bra for Living Sculpture, a send-up of the nation’s addiction to “electronic breastfeeding.” More

Joan Rothfuss reads from Topless Cellist: The Improbable Life of Charlotte Moorman on October 5, 2014. Nam June Paik’s TV Cello is on view in the exhibition Art Expanded, 1958–1978.

Art News from Elsewhere More


Via nytimes.com

Unchanged Contrarian (External)

Finally embraced by museums that long considered him a pariah for his critiques of institutional power, Hans Haacke’s critical eye remains unchanged: he plans to exhibit a new work about the Met’s acceptance of donations from David H. Koch.


Via wsj.com

Crowdsourced Curation (External)

Crowdsourced exhibitions, curated by audience vote, have proven to benefit some museums with increased visitors and grants, but concerns over the compromised legitimacy of artworld professionals and institutions raise a need to rethink the museum’s role.


Via artnet.com

Permeated Shield (External)

In a recent interview, artist Ursula von Rydingsvard discusses the scale of her works and reveals how she used intricate materials to craft the organic, solid wood sculptures that are currently featured at Galerie Lelong.


Via nextcity.org

Operation Paydirt (External)

Mel Chin invites us to recognize our responsibility for our cities: With his New Orleans’ Safehouse, he’s been collecting symbolic $100 bills created by children and caregivers to present to Congress for an exhange for real lead poisoning prevention.


Via dezeen.com

Weird Ban (External)

“No more weird architecture,” said Chinese president Xi Jinping in a recent interview. China’s recent building boom has birthed design novelties, from a doughnut-shaped skyscraper in Guangzhou to the Koolhaas-designed CCTV HQ in Beijing, dubbed “big pants” by critics.

Via latimes.com

Board-Building (External)

After a tumultuous period of disagreement, resignation, and reinstatement, the Museum of Contemporary Art in Los Angeles has announced four additions to its board—including artist Mark Bradford—a signal of growing confidence under fresh direction.

Minnesota Art News

Via mnartists.org


Camille LeFevre weighs in on the recent return of the dance company, Rosas, to the Twin Cities to perform the mid-‘80s work that made Anne Teresa De Keersmaeker famous.  More

Via mnartists.org

A Club at the End of the World

Christina Schmid reviews Alexa Horochowski’s melancholic new work, Club Disminucion, which she calls a playful but also dead-serious tribute to the decline of the human age.  More



Chuck Close Discusses Big Self-Portrait (1967–1968)

“There’s no question, I had some attitude about the way I wanted to be perceived,” said Chuck Close in discussing his Big Self-Portrait (1967–1968) at the Walker in 1980. “Now it seems very funny… More



Valerie Cassel Oliver Discusses Radical Presence

Exhibition curator Valerie Cassel Oliver of the Contemporary Arts Museum Houston discusses the development of Radical Presence: Black Performance in Contemporary ArtMore



Obliterating the Frame: Steve McQueen on Art and Film

“I never tried to do anything to make my films friendly.” From his start in Britain’s video art scene in the 1990s to his first feature film in 2008 to the Oscar-nominated 12 Years a Slave, Steve… More

Walker Channel


Why Not A Fork?

Spoonbridge and Cherry installation 1988. In this video we see Claus Oldenburg and Coosje van Bruggen discussing the piece with children for a documentary on the Minneapolis Sculpture Garden. More


Films by Artists

Red Grooms’ Target Discount Store (1970)

As part of the Walker’s 75th anniversary we are releasing a variety of clips from the Walker’s archives. This documentary on the creation of Red Grooms’ sculpture The Discount Store was commissioned by the Walker Art Center for… More



T.B. Walker Pathe Newsreel (1927)

As part of the Walker’s 75th anniversary we are releasing a variety of clips from the Walker’s archives. Silent newsreel of T.B. Walker opening the Walker Galleries, May 21, 1927. More


Ongoing Series

Artist Op-Eds

A series of commissioned opinion pieces featuring provocative reactions to the headlines by artists James Bridle, Liz Deschenes, Liam Gillick, Metahaven, and others.

9 Artists

In 10 chapters, curator Bartholomew Ryan presents his keystone essay “If You Are Willing: The Army of the Individuals” from the 9 Artists catalogue.

Lowercase P

An election-year series on personal politics and the way artists contribute to the conversation on making a better society.

From the Archives


Shall We Take It? The Walker’s Founding Question

The Walker was founded on a question. “Shall we take it?” In 1939 Minneapolis citizens were offered the chance to start a federally funded art center. The answer? Yes. But how did this offer come about, and what did it mean? More


Via walkerart.org

Sturtevant in Conversation with Peter Eleey

In a rare 2009 conversation, Sturtevant—who passed away in May 2014—discusses her repetitions of works by Warhol, Beuys, and others, as well as the discourse on “dangerous potent power” of our cybernetic world.  More


Please Change Beliefs

For her first art foray online, Jenny Holzer brought her iconic text-based work to the web in 1995, presenting five series of works (truisms, living, survival, inflammatory essays, laments). More