Best known for her innovative choreography, which revolutionized modern dance, Trisha Brown has for many years made drawings and other works beyond the stage that integrate the performing and visual arts. Drawing has long featured prominently in her practice, shifting from a tool for schematic composition into a fully realized component of her broader investigation into the limits of her own body. Whether she is working within the frame of a sheet of paper, on the wall or on the stage, Brown delights in the play between structure and improvisation, between repetition and invention and between choice and chance.
This volume, published to accompany an exhibition at the Walker Art Center, presents a broad survey of Brown’s visual arts practice going back more than three decades. Featuring more than 40 drawings, it includes essays by exhibition curator Peter Eleey and Walker performing arts curator Philip Bither as well as a specially-commissioned survey of Brown’s drawing vocabulary, which was contributed by the artist.