| FILM/VIDEO
ARTIST-IN-RESIDENCE ALAN BERLINER |
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In his latest work, The Sweetest Sound (2001), filmmaker Alan
Berliner invites 12 other Alan Berliners to a dinner party. Annoyed by
frequently being mistaken for, say, the celebrated Belgian filmmaker or
the Los Angeles photographer known for his photos of Madonna, Berliner
decided to plumb the depths of his own name. The resulting film, to be
screened next month at the Walker, is a thematic keystone for his museumwide
exploration of names and naming: the Andersen Window Gallery features
his installation The Language
of Names, developed as part of
his yearlong Walker residency; a lobby wall currently displays a mural--conceived
as a poem about naming, diversity, and community--bearing the 18,250 surnames
of residents in the 10-zip-code area surrounding the Walker; and an online
discussion group visited daily by Berliner, plus five digital projects,
also examine names--what the artist calls "our titles, our passports to
the world, the opening words to the stories of our lives." |
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ALAN BERLINER'S FILM/VIDEO RESIDENCY IS MADE POSSIBLE BY THE PEW CHARITABLE TRUSTS AND THE LILA WALLACE-READER'S DIGEST FUND. THE ANDERSEN WINDOW GALLERY IS MADE POSSIBLE BY GENEROUS SUPPORT FROM ANDERSEN CORPORATION. ADDITIONAL SUPPORT IS PROVIDED BY THE PEW CHARITABLE TRUSTS AND BETLACH FAMILY FOUNDATION. |