FOOTNOTES


1. Joseph Beuys, "Questions to Joseph Beuys," interview by Jörg Schellmann and Bernd Klüser, in Joseph Beuys: The Multiples, ed. Jörg Schellmann (Cambridge, Mass., Minneapolis, and Munich/New York: Busch-Reisinger Museum, Walker Art Center, and Edition Schellmann, 1977), 19.
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2. Joseph Beuys, "Questions to Joseph Beuys," interview by Jörg Schellmann and Bernd Klüser, in Joseph Beuys: The Multiples, ed. Jörg Schellmann (Cambridge, Mass., Minneapolis, and Munich/New York: Busch-Reisinger Museum, Walker Art Center, and Edition Schellmann, 1977), 20.
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3. Franz-Joachim Verspohl, entry on Beuys in K.G. Saur's Allgemeines Künstler-Lexicon vol. 10, (Munich, Leipzig 1995). Translated into English by Regina Brenner.
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3a. Franz-Joachim Verspohl, entry on Beuys in K.G. Saur's Allgemeines Künstler-Lexicon vol. 10, (Munich, Leipzig 1995). Translated into English by Regina Brenner.
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3b. Franz-Joachim Verspohl, entry on Beuys in K.G. Saur's Allgemeines Künstler-Lexicon vol. 10, (Munich, Leipzig 1995). Translated into English by Regina Brenner.
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3c. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 16-17.
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4. Joseph Beuys, "Questions to Joseph Beuys," interview by Jörg Schellmann and Bernd Klüser, in Joseph Beuys: The Multiples, ed. Jörg Schellmann (Cambridge, Mass., Minneapolis, and Munich/New York: Busch-Reisinger Museum, Walker Art Center, and Edition Schellmann, 1977), 20.
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5. Carin Kuoni, ed., Energy Plan for the Western Man: Joseph Beuys in America (New York: Four Walls Eight Windows, 1990), 19.
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6. Bernice Rose, "Joseph Beuys and the Language of Drawing," in Thinking Is Form: The Drawings of Joseph Beuys, Ann Temkin and Bernice Rose, eds., (Philadelphia and New York: The Philadelphia Museum of Art and The Museum of Modern Art, 1993), 115.
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7. George Maciunas, "Neo-Dada in Music, Theater, Poetry, Art [circa 1962]," in In the Spirit of Fluxus (Minneapolis: Walker Art Center, 1993), 157.
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8. Rene Block, "Fluxus and Fluxism in Berlin 1964-1976," Berlinart, Kynaston McShine, ed. (New York and Munich: The Museum of Modern Art and Prestel-Verlag, 1987), 71-72.
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9. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 95.
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10. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 94.
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11. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 177.
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12. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 179.
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13. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 204.
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14. Joseph Beuys, "Questions to Joseph Beuys," interview by Jörg Schellmann and Bernd Klüser, in Joseph Beuys: The Multiples, ed. Jörg Schellmann (Cambridge, Mass., Minneapolis, and Munich/New York: Busch-Reisinger Museum, Walker Art Center, and Edition Schellmann, 1977), 24.
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15. Carin Kuoni ed., Energy Plan for the Western Man: Joseph Beuys in America (New York: Four Walls Eight Windows, 1990), 119.
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16. Friedhelm Mennekes, "On the Cosmological Christology in the Oeuvre of Joseph Beuys," in Beuys on Christ: A Position in Dialog (Stuttgart: Verlag Katholische Bibelwerk GmbH, 1989), 105.
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17. Joseph Beuys, "Questions to Joseph Beuys," interview by Jörg Schellmann and Bernd Klüser, in Joseph Beuys: The Multiples, ed. Jörg Schellmann (Cambridge, Mass., Minneapolis, and Munich/New York: Busch-Reisinger Museum, Walker Art Center, and Edition Schellmann, 1977), 11.
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18. John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 107.
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19. Johannes Matthiessen, Joseph Beuys Multiples exhibition opening-day dialogue with Ann Temkin and Joan Rothfuss, September 27, 1997, Walker Art Center, Minneapolis.
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20. Laura Arici, "Alchemy" in Joseph Beuys exh. cat., Harald Szeemann, ed., Kunsthaus Zürich (Pro Litteris, Zürich, 1993), 240-241. Translated in English by Berhard Huwiler.
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21. John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 109.
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22. John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 108-109.
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23. John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 23.
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24. John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 136.
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25.John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 138-139.
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26. Caroline Tisdall, Joseph Beuys, (New York: Solomon R. Guggenheim Museum, 1979), 108.
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27. Bernice Rose, "Joseph Beuys and the Language of Drawing," in Thinking Is Form: The Drawings of Joseph Beuys, Ann Temkin and Bernice Rose, eds., (Philadelphia and New York: The Philadelphia Museum of Art and The Museum of Modern Art, 1993), 113.
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28.John F. Moffitt, Occultism in Avant-Garde Art: The Case of Joseph Beuys (UMI Research Press Ann Arbor, Michigan, 1988), 105.
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29.Thorston Scheerer, "Joseph Beuys vs. Rudolf Steiner" in "Joseph Beuys Revisited: Linda Woodfield Interviews Thorsten Scheerer," http://tizian.khi.uni-heidelberg.de/athena/ep/ep971.html#7, April-May 1996.
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30."The Rudolf Steiner Archive and e.Lib," James Stewart, e.Librarian, http://www.elib.com/, 1990-1997.
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