"My objects are to be seen as stimulants for the transformation of the idea of sculpture. . . or of art in general. They should provoke thoughts about what sculpture can be and how the concept of sculpting can be extended to the invisible materials used by everyone.

THINKING FORMS--how we mold our thoughts or
SPOKEN FORMS--how we shape our thoughts into words or
SOCIAL SCULPTURE--how we mold and shape the world in which we live:
SCULPTURE AS AN EVOLUTIONARY PROCESS; EVERYONE IS AN ARTIST.

That is why the nature of my sculpture is not fixed and finished, processes continue in most of them: chemical reactions, fermentations, color changes, decay, drying up. Everything is in a state of change." [5]