Walker Art Center

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Avant Museology: Jonathas de Andrade and Adrienne Edwards



Jonathas de Andrade and Adrienne Edwards discuss the ways his bodies of work interrogate social, economic, and political systems, often through fugitive acts that rely on and articulate the fleeting dimensions of memory, history, mythology, and desire. The conversation focuses on Andrade’s multifaceted project Museu do Homem do Nordeste (Museum of the Northeastern Man; 2013 –), realized as private and chance encounters to create photographic portraits that culminate in a dynamic poster installation to a conceptual and material framework for his recent solo museum exhibition at the Museu de Arte do Rio, in which he redeploys notable marketing tactics such as brand development into art objects. Their dialogue delves into the complicated notion of the Brazilian imaginary as espoused by sociologist Gilbreto Freire, who founded the museum in 1979 for which these artworks are named, as well as authored the seminal text Grande e Senzala (The Master and the Slaves), first published in 1933.