Loading
  • Grid
  • List

Collections Browse Ben’s Window

Collections Browse Ben’s Window

Image Rights
Close
Image
Courtesy Walker Art Center
Rights
Copyright retained by the artist

Copyright

All content including images, text documents, audio, video, and interactive media published on the Walker web site (walkerart.org) is for noncommercial, educational and/or personal use only. Any commercial use or republication is strictly prohibited. Copying, redistribution, or exploitation for personal or corporate gain is not permitted.

To obtain permission, or for information on slides and reproductions, please contact Loren Smith, Assistant Registrar at 612.375.7673 or rights.reproductions@walkerart.org.

Title
Ben’s Window
Artist
Ben Vautier
Date
1962/1992-1993
Dimensions
overall installed 125.5 × 178.5 × 108 inches
Materials
mixed media
Location
Not on view

Object Details

Type
Mixed Media (Multimedia)
Accession Number
1993.126.1-.136
Style
Fluxus
Physical Description
A reproduced store front. Originally produced as Living Sculpture for Festival of Misfits, London, 1962.
Credit Line
T. B. Walker Acquisition Fund, with additional funds from Lila and Gilbert Silverman, 1993

object label Ben Vautier, Ben’s Window (1962) Walker Art Center, 1998

“So you see, this is not a theatrical set… it was real life… . When I did the window, Fluxus was supposed to be life and fun. Today, it is art archaeology.”–Ben Vautier

Since the early 1960s, Ben Vautier (known simply as “Ben”) has been associated with Fluxus, an international community of experimental artists seeking to close the gap between art and life by bypassing the elitism of the museum and gallery system.

Ben’s Window is a recreation of his Living Sculpture, an installation/performance created in 1962. As his contribution to a group exhibition, Ben moved into the small display window of London’s Gallery One and lived there for 15 days, putting himself on display as an aesthetic object and offering himself for sale for £250. In his trademark cursive handwriting, Vautier labeled objects in the room with rhetorical questions or whimsical comments, giving equal importance to everything from the kitchen table to a container of dirty water.

Ben’s Window was recreated by the artist for the 1993 Walker exhibition In the Spirit of Fluxus. Eleven vintage objects and a number of replicas (made by Ben from old film footage and archival photographs) remain from the original installation. Vautier also introduced some new objects, such as the boom box and slide projector.

Label text for Ben Vautier, Ben’s Window (1962), from the exhibition Selections from the Permanent Collection, Walker Art Center, Minneapolis, December 8, 1996 to April 4, 1999.

Copyright 1998 Walker Art Center