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Collections Browse Filz-TV (Felt TV)

Collections Browse Filz-TV (Felt TV)

Caption
Studio view
Image
Courtesy Walker Art Center
Studio view Image Rights
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Caption
Studio view
Image
Courtesy Walker Art Center
Rights
Copyright Estate of Joseph Beuys / Artists Rights Society (ARS), New York

Copyright

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Title
Filz-TV (Felt TV)
Artist
Joseph Beuys
Date
1970
Dimensions
installed 3.5625 × 18.1875 × 24 inches
Materials
felt, pair of boxing gloves, 16mm film in metal container, blood sausage, ink stamps, oil paint
Location
Not on view

Object Details

Type
Mixed Media (Multiples)
Accession Number
1995.113.1-.5
Style
Fluxus
Edition
6, unnumbered
Inscriptions
N.A.; Red Beuys oil stamp center of felt mat; black Beuys ink stamp on back of hand area, center
Physical Description
Documentation of a performance of the same name done in Copenhagen in 1966 and materials used in the performance, during which Beuys explored metaphors of communication.
Printer
N.A.
Credit Line
T. B. Walker Acquisition Fund, 1995

object label Joseph Beuys, Filz-TV (Felt TV) (1970) Walker Art Center, 2000

This multiple, a relic of Joseph Beuys’ action Felt TV (1966), is composed of three props (the boxing gloves, felt pad, and sausage) and a film of the performance. In the 11-minute film, Beuys explored metaphors of communication and energy through the medium of television. As the TV broadcast a talk show, Beuys blocked the image with a felt pad, then punched himself in the face while wearing the gloves, as if the information from the television were assaulting him and meeting with resistance. He carved the sausage into a swordlike shape and moved it over the felt like a stethoscope, then dabbed it on the walls of the room. He ended by pushing the television against the wall, hanging a large felt pad on the wall, and leaving the room.

Beuys explained this cryptic work in terms of opposites. An actor sits opposite the television. Its screen is doubled with a felt “anti-image” that obstructs information. Finally, a second felt pad stands in for artists. In the end, the television is abandoned: a transmitter without a receiver. “The observer himself is very much as important as what comes out of the box,” Beuys stated.

This acquisition continues the Walker’s aim of acquiring works in depth by artists to whom the museum has a long-term commitment. Felt TV joins a collection of more than 400 multiples by Beuys that the Walker acquired in 1992.

Label text for Joseph Beuys, Filz-TV (Felt TV) (1970), from the exhibition State of the Art: Recent Gifts and Acquisitions, Walker Art Center, Minneapolis, July 22-October 8, 2000.

Copyright 2000 Walker Art Center