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Collections Browse Mount Rushmore, South Dakota

Collections Browse Mount Rushmore, South Dakota

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Image
Courtesy Walker Art Center
Rights
Copyright retained by the artist

Copyright

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Title
Mount Rushmore, South Dakota
Date
1986
Dimensions
sheet 38 × 37.625 inches
Materials
gelatin silver print
Location
Not on view

Object Details

Type
Photographs (Photographs)
Accession Number
1999.68
Edition
2/9
Inscriptions
in black ink on reverse BR “Muna Tseng”; in black ink on reverse BR “Mount Rushmore, South Dakota 1986 2/9 vintage” in black ink stamp on reverse BR “From the estate of Tseng Kwong Chi copyright by Muna Tseng Dance Projects Inc.” in black ink on attached label on reverse :#42 Mount Rushmore 1987-“
Physical Description
An image of the artist standing in front of Mt. Rushmore
Printer
N.A.
Credit Line
T. B. Walker Acquisition Fund, 1999

object label Tseng Kwong Chi, Mount Rushmore, South Dakota (1986) and Disneyland, California (1979) , 2000

Tseng Kwong Chi’s photographs are self-portraits depicting the artist in mirrored sunglasses and a formal Chinese uniform (reminiscent of the famous image of Chairman Mao) in front of well-known tourist sites such as Mount Rushmore or Disneyland. These photographs are part of the artist’s lifelong project entitled East Meets West, in which he took on a performative role as an “unofficial ambassador” to China. Standing at attention, with the shutter release cord visible in his hand (evoking the film stills of Cindy Sherman’s work), Tseng’s images combine a sense of here and there, then and now.

Born in Hong Kong, Tseng grew up in Vancouver, Canada, before studying art in Montréal and Paris. As a student, he excelled at Chinese calligraphy and painting, but found himself influenced by the work of French photographers such as Brassaï and Henri Cartier Bresson. Unable to obtain a visa to live in France, Tseng moved to New York in 1978. His sister recalls being invited to a dinner with their parents, who were visiting from Canada, at Windows on the World–a restaurant at the top of the World Trade Center. The restaurant’s dress code required a coat and tie, so Tseng, then a struggling artist, arrived wearing a gray 1930s Chinese Nationalist uniform. While his family was mortified, the maître d’ of the restaurant was fooled and treated Tseng as a visiting dignitary. From that moment, the artist incorporated the uniform into his photographic work, using it not only to create a persona, but to gain access to places or events he sought to photograph. His body of work soon grew to encompass images of himself at a range of world sites and tourist attractions. Wherever he went, the uniform, coupled with Tseng’s race, seemed to declare, “Just visiting. I’m not from here.”

Tseng’s work was first seen at the Walker Art Center in the exhibition Asia/America in 1995. An intriguing blend of performance and photography, his photographs are an important addition to the Walker’s collection because they recognize an early moment in the discourse of multiculturalism. These pictures join a growing body of photographic work in the collection and further the museum’s mission to support diverse and emerging art practices.

Label text for Tseng Kwong Chi, Mount Rushmore, South Dakota (1986) and Disneyland, California (1979), from the exhibition State of the Art: Recent Gifts and Acquisitions, Walker Art Center, Minneapolis, July 22-October 8, 2000.

Copyright 2000 Walker Art Center