Loading
  • Grid
  • List

Collections My Blue Lake

Collections My Blue Lake

Image Rights
Close
Image
Courtesy Walker Art Center
Rights
© Kiki Smith

Copyright

All content including images, text documents, audio, video, and interactive media published on the Walker web site (walkerart.org) is for noncommercial, educational and/or personal use only. Any commercial use or republication is strictly prohibited. Copying, redistribution, or exploitation for personal or corporate gain is not permitted.

To obtain permission, or for information on slides and reproductions, please contact Loren Smith, Assistant Registrar at 612.375.7673 or rights.reproductions@walkerart.org.

Title
My Blue Lake
Artist
Kiki Smith
Date
1995
Dimensions
sheet 43.5 × 54.75 inches
Materials
photogravure, lithograph on paper
Location
Not on view

Object Details

Type
Prints (Edition Prints/Proofs)
Accession Number
1996.82
Edition
8/41
Inscriptions
in pencil BL “Kiki Smith 1995”; in pencil BR “#8”
Physical Description
large face in blue
Printer
N.A.
Credit Line
T. B. Walker Acquisition Fund, 1996
Object Copyright
© Kiki Smith

object label Kiki Smith, My Blue Lake (1995) Walker Art Center, 2000

Known for her sculptures, drawings, and prints that focus on the human body as subject, Kiki Smith has often used herself as material for her work. After making a number of prints that included depictions of various parts of her own body, the artist became interested in creating a picture that showed the skin of the body as a flat image, similar to the way a map becomes a flattened version of the globe. Working with printers at the workshop Universal Limited Art Editions, Smith gained access to a special camera (of which there are only three) at the Royal Academy at the British Museum in London. Originally designed for use in geological surveys, the camera can produce a 360º image. To make it, Smith spent a week at the British Museum being photographed on a rotating table, finally emerging with a negative that could be made into a photogravure printing plate. In making the final print, Smith added marks via the process of lithography, and hand-colored the images as they emerged from the press. The resulting print with its red and blue fields of color reveals an unusual self portrait that evokes a blending of landscape and the human form.

Label text for Kiki Smith, My Blue Lake (1995), from the exhibition State of the Art: Recent Gifts and Acquisitions, Walker Art Center, Minneapolis, July 22-October 8, 2000.

Copyright 2000 Walker Art Center