• Grid
  • List

Collections> Browse > Studies for Holograms

Collections> Browse > Studies for Holograms

Image Rights
Courtesy Walker Art Center
© Bruce Nauman / Artists Rights Society (ARS), New York


All content including images, text documents, audio, video, and interactive media published on the Walker website (walkerart.org) is for noncommercial, educational, journalistic and/or personal use only. Any commercial use or republication is strictly prohibited. Copying, redistribution, or exploitation for personal or corporate gain is not permitted.

For information on the use of reproductions for publishing and/or commercial use, please contact rights.reproductions@walkerart.org.

Studies for Holograms
Bruce Nauman
25-¾ × 35-¾ inches
screenprint on paper
Not on view

Object Details

Prints (Edition Prints/Proofs)
Accession Number
(mixed editions)
Physical Description
one from a portfolio of 5 screenprints on paper
Aetna Studios, New York
Credit Line
Clinton and Della Walker Acquisition Fund, 1989

object label Bruce Nauman, Selections from Studies for Holograms (a-e) (1970) Walker Art Center, 1998

“I [am] using my body as a piece of material and manipulating it. I think of it as going into the studio and being involved in some activity. Sometimes it works out that the activity involves making something, and sometimes the activity itself is the piece.”–Bruce Nauman

Emerging out of the Minimalist tradition in the mid-1960s, Nauman rejected its highly controlled and theorized aesthetics and engaged in art rooted in discovery. His introverted curiosity embodied a unique style of questioning. In a series of experiments, he performed various mundane and repetitive acts, such as walking around the perimeter of a square, throwing balls, applying makeup, and playing the violin.

Using his body as the medium and tool for these works, he emphasized the process of work or the presence of the body in the object. In one of his first “exercises” in his studio, Failing to Levitate in the Studio (1966), Nauman concentrates on levitating in space–if not actually defying gravity, at least maintaining a level posture while balancing himself between two chairs. In 1968, he produced the original First Hologram Series: Making Faces (a-k), 11 transmission holograms visible in three dimensions. In the screenprint studies, Nauman molds his face into a variety of exaggerated expressions, becoming not only the maker of art but its product.

Label text for Bruce Nauman, Selections from Studies for Holograms (a-e) (1970), from the exhibition Performance in the 1970s: Experiencing the Everyday, Andersen Window Gallery, Walker Art Center, Minneapolis, May 24-November 8, 1998.

Copyright 1998 Walker Art Center