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Collections Browse Suaire de Mondo Cane (Mondo Cane Shroud)

Collections Browse Suaire de Mondo Cane (Mondo Cane Shroud)

Caption
Studio view
Image
Courtesy Walker Art Center
Studio view Image Rights
Image Rights
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Caption
Studio view
Image
Courtesy Walker Art Center
Rights
© Yves Klein and Artists Rights Society (ARS), New York/ADAGP, Paris

Copyright

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Title
Suaire de Mondo Cane (Mondo Cane Shroud)
Artist
Yves Klein
Date
1961
Dimensions
overall 108 × 118.5 × inches
Materials
pigment, synthetic resin on gauze
Location
On view at the Walker Art Center

Object Details

Type
Paintings (Paintings)
Accession Number
2004.63.1-.3
Physical Description
An Anthropométrie (Anthropometry) painting, likely a rehearsal work created before the filming of Mondo Cane.
Credit Line
Gift of Alexander Bing, T. B. Walker Foundation, Art Center Acquisition Fund, Professional Art Group I and II, Mrs. Helen Haseltine Plowden, Dr. Alfred Pasternak, Dr. Maclyn C. Wade, by exchange, with additional funds from the T. B. Walker Acquisition Fund, 2004

essay Painting on, or as, Film, Eric Crosby, 2014

Yves Klein, the self-proclaimed “painter of space,” sought to achieve immaterial spirituality through pure color, an ambition that took this most mercurial artist from painting and sculpture to performance, film, photography, and music. For his most performative works, his so-called Anthropometries, Klein employed naked bodies as “living brushes” in his increasingly theatrical painting practice. Here, curator Eric Crosby situates Klein’s iconic late work Suaire de Mondo Cane (Mondo Cane Shroud) between the surface of painting and the projected image of cinema.