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Collections> Browse > Sullivan Street, Abstraction

Collections> Browse > Sullivan Street, Abstraction

Image Rights
Courtesy Walker Art Center
Copyright 1998 Walker Art Center


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Sullivan Street, Abstraction
unframed 24-¼ × 20 × 1-1/8 inches
oil on canvas
Not on view

Object Details

Paintings (Paintings)
Accession Number
on front in black paint LR “G.C. Ault 24”
Physical Description
cityscape at night
Credit Line
Art Center Acquisition Fund, 1961

object label George C. Ault, Sullivan Street, Abstraction (1924) Walker Art Center, 1998

George Ault’s paintings of urban and industrial scenes are customarily associated with the geometric-based images of the Precisionists (including Joseph Stella, Charles Sheeler, and Niles Spencer). However, Ault’s moody urban scenes differ from the optimistic views of the city most often produced by the Precisionists.

Sullivan Street, Abstraction illustrates Ault’s interest in the dark and mysterious aspects of urban structures. Set in his neighborhood of Greenwich Village, the painting portrays Sullivan Street as desolate and enveloped in hazy darkness. In his words: “The village … is never romantic at noon … . The city needs haze. In this harsh light you see all the ugly details–you see the city crumbling to pieces.” In the painting, the only source of light comes from the central, seemingly static subway car and the eerie glow of the street lamps that hang in space like a ghostly collection of stars. In effect, Ault employs Precisionist style and subject matter, but depicts the urban scene with a dreamlike, surreal quality.

Label text for George C. Ault, Sullivan Street, Abstraction (1924), from the exhibition Selections from the Permanent Collection, Walker Art Center, Minneapolis, December 8, 1996 to April 4, 1999.

Copyright 1998 Walker Art Center