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Image
Courtesy Walker Art Center
Rights
Copyright retained by the artist

Copyright

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Title
Untitled
Date
1987-1988
Dimensions
overall 108 × 48 × 28 inches
Materials
granite
Location
On view at the Walker Art Center

Object Details

Type
Sculpture
Accession Number
1989.62.1-.3
Credit Line
Acquired with funds provided by Martha and John Gabbert, Joanne and Philip Von Blon and the National Endowment for the Arts, 1989

artwork entry Jene Highstein, Minneapolis Sculpture Garden, 1998

Jene Highstein studied philosophy, painting, and drawing before turning to sculpture in the late 1960s, applying cement over steel frames to create the large, rounded shapes—mounds and spheres—that interested him. When he finally began to carve in stone around 1980, he was able to explore new aspects of these forms. The three massive monoliths that form the work in the Minneapolis Sculpture Garden were shaped from Pennsylvania granite, scored with a diamond-tipped circular saw, and then chiseled to expose the crystalline structure of the stone. Although they might at first appear to be objects found in nature, primitive totems arranged by tribal worshipers, or even meteors cast from the skies, they are, in fact, carefully crafted works intended to provoke a range of associations regarding nature and culture.

Jenkins, Janet, ed. Minneapolis Sculpture Garden. Minneapolis, MN: Walker Art Center, 1998, no. 2.

© 1998 Walker Art Center

curriculum resource Jene Highstein, Untitled (1987-1988) , 1998

American artist Jene Highstein studied philosophy, painting, and drawing before turning to sculpture in the late 1960s. He began to carve stone sculptures in the 1980s, exploring new aspects of large rounded shapes, mounds, and spheres. The three massive monoliths (a single large stone often in the form of an obelisk or column) that form Untitled are carved of granite from a quarry in Pennsylvania. After shaping the stones, the artist scored their surfaces with a series of parallel grooves using a diamond-tipped circular saw, then chiseled out the stone between the saw cuts. The compact, rounded forms remind us of large rocks found in nature, yet they have clearly been shaped by the artist’s hand. The sculpture suggests totems carved in homage to an ancient universe, or boulders cast down from the sky like meteorites. Highstein’s abstract works are intended to provoke a range of associations regarding nature and culture, and he prefers that the viewer discovers his or her own meanings and interpretations.

Text for Jene Highstein, Untitled (1987-1988), from the curriculum guide The Minneapolis Sculpture Garden: A Garden for All Seasons, Walker Art Center, Minneapolis, 1998.

Copyright 1998 Walker Art Center