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Image Rights
Courtesy Walker Art Center
© 2010 Estate of Agnes Martin / Artists Rights Society (ARS), New York


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Untitled #7
Agnes Martin
unframed 72 × 72 inches
India ink, graphite, gesso on canvas
Not on view

Object Details

Paintings (Paintings)
Accession Number
reverse in black TL “a. martin/77”
Physical Description
subtle graphite grid on light ground.
Credit Line
Purchased with the aid of funds from The Butler Family Foundation, Mark B. Dayton, Roderick McManigal, Dr. and Mrs. Glen D. Nelson, Mr. and Mrs. Miles Q. Fiterman, Art Center Acquisition Fund, and the National Endowment for the Arts, 1979

object label Agnes Martin, Untitled No. 7 (1977) , 2000

[the paintings are] not really about nature
It is not what is seen–
It is what is known forever in the mind.
–poem-note by Agnes Martin to the Philadelphia ICA, 1972

Agnes Martin received her master’s degree from Columbia University in New York and taught and painted in that city for a number of years–she claims her first exhibition was installed by Abstract Expressionist painter Barnett Newman. While she regards herself as a contemporary of the Abstract Expressionists–sharing their concern with timeless, universal subject matter–she believes her work to be more about the feeling of space than form. Her idea of a pure, geometric structure within or beyond the world of appearances established her as a pioneer of the Minimal Art movement of the 1960s–evidenced by her inclusion in the 1962 exhibition Geometric Abstraction at the Whitney Museum of American Art. In 1967 she divorced herself from the art world and moved to New Mexico, where she has lived and worked ever since.

Label text for Agnes Martin, Untitled No. 7 (1977), from the exhibition Art in Our Time: 1950 to the Present, Walker Art Center, Minneapolis, September 5, 1999 to September 2, 2001.

Copyright 2000 Walker Art Center