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Collections> Browse > Wall Drawing #9 A & B

Collections> Browse > Wall Drawing #9 A & B

gallery view
Courtesy Walker Art Center
gallery view Image Rights
Courtesy Walker Art Center
detail Image Rights
Image Rights
gallery view
Courtesy Walker Art Center
© The LeWitt Estate / Artists Rights Society (ARS), New York


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Wall Drawing #9 A & B
Sol LeWitt
proportionate to installation wall dimensions
graphite, colored pencil
Not on view

Object Details

Drawings and Watercolors (Drawings)
Accession Number
on certificates .1, in black ink on front lower right “LEWITT”
Physical Description
#9A is a two part drawing in black pencil directly on the wall; #9B is a two part drawing in red, yellow and blue pencil directly on the wall
Credit Line
Gift of the artist, 1996

object label Sol LeWitt, Wall Drawing #9 A & B (1974) Walker Art Center, 1999

In Conceptual Art the idea or concept is the most important aspect of the work. When an artist uses a Conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art.–Sol LeWitt, 1967

When the Walker acquired Wall Drawing #9 A, it was in the form of diagrams, a certificate, and instructions. The certificate reads: “Two-part serial drawing. The wall or rectangle is divided vertically or horizontally into two parts. One part with vertical and horizontal lines superimposed, the other part with diagonal left and diagonal right lines superimposed. First drawn by Sol LeWitt and others. First installation: L'Attico Gallery, Rome, Italy, May 1969.” Because Wall Drawing #9 B had not yet been installed, the certificate was not issued until after it was drawn onto the wall you see here. The work was created on-site by one of LeWitt’s assistants with the help of Walker staff. The colors were specified by the artist and the pencil lines were covered with a varnish to protect them from being rubbed off.

The Walker’s collection of LeWitt’s work, begun in 1974, also includes two major modular sculptures (one installed on the terrace outside Gallery 8); X With Columns (1996) in the Minneapolis Sculpture Garden; and the brilliantly colored wall drawing, Four Geometric Figures in a Room (1984), designed specifically for the vestibule area just outside the Walker’s Lecture Room.

Walker solo exhibition: Sol LeWitt: Prints and Books, 1988

Label text for Sol LeWitt, Wall Drawing #9 A & B (1974), from the exhibition Art in Our Time: 1950 to the Present, Walker Art Center, Minneapolis, September 5, 1999 to September 2, 2001.

Copyright 1999 Walker Art Center