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The Snobs (the fashion show) from Wurst Series

Peter Fischli, David Weiss

Titanic from Wurst Series

Peter Fischli, David Weiss

Pavesi from Wurst Series

Peter Fischli, David Weiss

Moonraker from Wurst Series

Peter Fischli, David Weiss

The Fire of Uster from Wurst Series

Peter Fischli, David Weiss

Portrait of Warhol with two hands clenched around his neck.

Portrait of Warhol with a skull emerging from the top of his head.

N.A.

Cartoon like heads repeated over canvas in fluorescent paint.

D 41 XS2 - XF4 - A1-½, A1-½ - A2, A1

Drawings and Watercolors

Zinc box with Agfa camera mounted in base, felt attached to camera. Photograph by Michael Ruetz...

Enterprise 18.11.72, 18:5:16 Uhr (Enterprise 11/18/72, 18:5:16 hours)

Vakuum <---> Masse (Vacuum <---> Mass)

cast-iron backrest, modelled on child's plaster cast

Rückenstütze eines feingliederigen Menschen (Hasentypus) aus dem 20. Jh. p. Chr. (Backrest for a Fine-Limbed Person [Hare-type] of the 20th C. A.D.)

Wooden broom with silver casing, and copper broom handle and head, with felt underlay. Both...

Silberbesen und Besen ohne Haare (Silver Broom and Broom without Bristles)

Posted printed as an announcement of a boxing match for "Direct Democracy through...

Beuys boxt für direkte Demokratie (Beuys Boxes for Direct Democracy)

Silkscreen from photograph of Beuys by Giancarlo Pancaldi. Support is thin, beige polyester

La rivoluzione siamo Noi

color lithograph on beige paper

ohne Titel aus Spur 1 (Untitled from Trace 1)

Color offset lithograph from photograph by Wilfried Bauer of Beuys with a red rose at Documenta 5...

ohne die Rose tun wir’s nicht ( We Won’t Do It without the Rose)

black oil paint on paper, with hole torn in center, handwritten additions on front and reverse. ...

Painting Version 1-90

yellow and blue silkscreen with handwritten additions in pencil, on paper. Image from a...

silkscreen on felt board from photograph of object Earth Telephone, 1969

Erdtelephon (Earth Telephone)

black and white woodcut on paper

Hirschkuh (Doe) 1948, from series Holzschnitte (Woodcuts)

black and white woodcut on paper

Wattenmeer (Shallows) 1949, from series Holzschnitte (Woodcuts)

plastic bag containing dried blood, attached to paper by a sticking plaster

Hasenblut (Hare’s Blood)

handwritten text by Beuys in pencil on paper

Paß für Eintritt in die Zukunft (Pass for Entry into the Future)

poster for the Free International University. The chemical formula refers to chalk used to...

Grassello Ca(OH)2 + H2O

.1 printed polythene bag.2 offset sheet with images from action Coyote.3 offset sheet with...

ausSaltoarte (from Saltoarte)

black, white and red print, depicting beuys and participants of an environmental protection action

Rettet den Wald (Save the Woods)

lithograph from photograph by Jürgen Müller-Schneck of installment of the environment...

Aufbau (Installation)

8 offset lithographs (b+w) mounted on card. Proofs from Interfunktionen 4.

Iphigenie-Set (Iphigenia Set)

Issue of Vorwärts (Nr. 29, Bonn, July 21, 1977) produced during documenta 6 in Kassel, Germany,...

Rückwärts (Backwards)

The photograph (by Franz Fischer) was taken during the exhibition "Beuys Multiples" in...

Bonner Kunstverein 8.11.1977 (Bonn Kunstverein 8.11.1997)

Polythene bag containing dried hare's blood. This multiple completed by offset print bound...

aus Düsseldorf Art Scene (from Düsseldorf Art Scene)

Suitcase containing Maggi sauce bottle, paperback book (Kant, Critique of Pure Reason) and...

ich kenne kein Weekend (I Know No Weekend)

Green-painted violin, based on an "Action Object" from the Fluxus concert "oder...

Grüne Geige (Green Violin)

Joseph Beuys, Henning Christiansen

Two tin cans joined with string, comprising a "telephone" Appeared in a crate "Two...

Telephon S————-E [ backward E] (Telephone T————-R [backward R])

Schellmann 1992 catalogue raisonné #210 is a reproduction of a granolithograph (see Schellmann...

January 1973 issue of Essen & Trinken (Eat & Drink) magazine, to which was added a...

Fettzeitung (Fat Magazine)

The Beuys work appears on page 54 of the magazine interfunktionen (Volume 4), with works by...

in interfunktionen 4