Walker Art Center

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Widely recognized for its presentation of moving-image arts that define and influence our time, the Walker’s Moving Image program oversees a 21st-century cinema and a vast collection of global and avant-garde films, documentaries, and video works. More

Featured Event

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Screenings

Love & Mercy

“An intimate rendering of [Brian] Wilson’s mercurial genius.” —Toronto International Film Festival The Walker is pleased to collaborate with the Minneapolis St. Paul International Film Festival (MSPIFF) to honor filmmaker Bill Pohlad. Known for producing award-winning films—Steve McQueen’s 12 Years a Slave, Terrence Malick’s The Tree of Life, and Ang Lee… More

Featured Article

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Crosscuts

Construction Zone as Pinball Game: Ericka Beckman on Frame UP

Fascinated by how “industrial sites reveal the process of construction,” Ericka Beckman trained her lens on the building site for the Walker expansion 12 years ago. Her resulting film, Frame-UP, cast the space as a giant pinball game, with animated balls… More


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Scott Foundas

Christopher Nolan: A Practical Magician of Modern Movies

A master of misdirection, director Christopher Nolan seems to methodically tell us what he’s doing, only to blindside us with his astonishing narrative reveals and reversals. Watch films like … More

Art of the Rural’s founder on artists using digital space to redraw a geography of the cultural center

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Olga Viso

Question Everything

What does it mean to present the art of our time? Why do we need a safe place for unsafe ideas? How can art show us who we are—and aren’t? The Walker’s founding as a public art center in 1940 was sparked by a question, and during the 75 years since it’s been… More


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Paul Schmelzer

Rethinking Collections Publishing for the Digital Age

For many in the museum world, the term scholarly collections catalogue can conjure daunting impressions: a book about a museum’s holdings, it involves years of collecting, researching, photographing… More

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Paul Schmelzer

Shifting Terrains: Fionn Meade on the Cross-Disciplinary

As the hard edges between disciplines continue to dissolve, the Walker is intensifying its investigations into what artistic boundary-crossing means and how curators must adapt to the needs of… More

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Alise Hansen

A Cinematic Family Album for Morocco

For Yto Barrada, Morocco’s defunct Cinéma Rif offered an opportunity to “bring a certain kind of magic back to the city” through an artistic intervention. The result—now nearly a decade old—is Cinémathèque de Tanger, an… More