Walker Art Center

76° FPartly CloudyVia Yahoo! Weather

Widely recognized for its presentation of moving-image arts that define and influence our time, the Walker Film/Video program oversees a 21st-century cinema and a vast collection of global and avant-garde films, documentaries, and video works. More

Featured Event



Kumiko, the Treasure Hunter

“A wonderfully strange and beguiling adventure story.” —Variety After obsessively watching the Coen brothers’ Fargo, which she believes reveals a treasure map, a Japanese woman becomes fixated on digging up the case of money buried in the movie’s remote, snow-covered landscape. She soon travels to the… More

Featured Article



Conditioning: Typography and Moving Image

Opening sequences, title cards, interludes, subtitles, end credits: typography in cinema and television is quickly evidenced and it is never neutral. To consider some key precedents one need only think of Maurice Binder’s stylish and fluid transitions between abstract graphic, typeface, and gun barrel… More


Paul Schmelzer

Rethinking Collections Publishing for the Digital Age

For many in the museum world, the term scholarly collections catalogue can conjure daunting impressions: a book about a museum’s holdings, it involves years of collecting, researching, photographing… More


Paul Schmelzer

Shifting Terrains: Fionn Meade on the Cross-Disciplinary

As the hard edges between disciplines continue to dissolve, the Walker is intensifying its investigations into what artistic boundary-crossing means and how curators must adapt to the needs of… More


Alise Hansen

A Cinematic Family Album for Morocco

For Yto Barrada, Morocco’s defunct Cinéma Rif offered an opportunity to “bring a certain kind of magic back to the city” through an artistic intervention. The result—now nearly a decade old—is Cinémathèque de Tanger, an… More


Rob Nelson

Steve McQueen: “I Want to Be Useful”

“I don’t think slavery has been taboo at all,” Steve McQueen says, having just noted that his film 12 Years a Slave is one of less than two dozen to address this painful part of US history. “[Racism has] actually been very visible and… More


Rob Nelson

Steve McQueen’s Truth and Beauty

Addressing criticisms that Steve McQueen’s 12 Years a Slave prizes beauty over human emotion, Rob Nelson asks: “Doesn’t commercial art by its very nature put an ornate frame around whatever it observes? What does it mean to say… More


Mason Riddle

Buckminster Fuller: A Design Science Evangelist in Minnesota

Earning a standing ovation from a crowd of 5,000, Buckminster Fuller spoke at the University of Minnesota one Monday in 1973 on the role of design scientists in civic problem solving. But the… More