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This piece
is about, in general, community, and our individual roles within that
community. Specifically, this piece is presented within three particular
ideas.
First,
the idea our society perpetuates that any bond outside of the construct
of either the first family we are born into, or the second family that
we create through marriage and childbirth must, and will, always supersede
those bonds of friendship and community. The segregation of the 'nuclear
family' from the extended kin and community forced women to become more
dependent on the individual man, and children to become more dependent
on the individual woman. This dependency created the much used opportunity
for the abuse of that power.
The
second idea is the contemporary agreement by the 'social capitalists'
like Putnam and de Souza Briggs, that the notion of 'community,' and its
relevance to daily life has been waning over the last half century. It
is generally noted, but often downplayed, that while the traditional models
of community such as the church, recreational clubs, the PTA, political
parties, etc. have shown a steadily declining membership count, new models
of community, such as self-help groups, social movements, and especially
the Net, have flourished in membership ratios as well as group counts.
The
third idea, is that of a deeper understanding of the difference between
loneliness and solitude. It is a distinction we all know to exist, but
find difficulty in seeing it practiced in our own lives. Without that
understanding, community is nothing but a home for codependency.
Ochen
K. explains the tangible experience of this piece through the metaphor
of a party. Generally, a party does not consist of everyone engaged in
a single large conversation, but rather many smaller conversations defined
geographically. (Three people sitting on a couch having one conversation,
four people standing in the kitchen having a different conversation.)
Two limitations of this construct are:
- One can only truly be engaged in a single conversation each moment,
and,
- each conversation can only be had within the context of the relationships
between all the participants. (A conversation between three friends is
fundamentally different than an identical conversation between two lovers.)
Through this piece, those are no longer limitations, but rather the vehicles
of the communication itself. Imagine that while engaged in one of those
conversations at that party, when you stood up, you would be having that
same conversation within the context of your peer community. While sitting,
you would be having that conversation within the context of a small (perhaps
even two person) intimate gathering. And while lying down, that conversation
would be a conversation with yourself.
This is not a description of the interaction of the piece, but rather an
attempt to relate the emotional concept of the experience.
The conversations comprising this piece would be real-time conversations,
but would not necessitate multiple users to be present. When one user is
present, he engages in a conversation with himself, with the author (the
artist) playing the role of their questioning mind. When multiple users
are present, they communicate with each other, with the author (still the
artist) as the questioning facilitator.
Much 'net art' is situational. The artist provides a situation intentionally
devoid of projection, where users can define and then discover their own
messages. This is not intended to be so. Ochen K. has ideas of community,
and chooses to talk about those opinions through the three specific ideas
outlined above. This is by no means a chat room. It's a mixing of a submersive
interactive experience, with single and multiple user's opinions and reactions
defining the scope and direction. |
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