Rirkrit Tiravanija’s new film, Lung Neaw Visits His Neighbors, follows the daily routine of its namesake, “a global Everyman.” The film, writes Stephen Holden, “rewards concentration once you adjust to its glacial pace and its radically minimalist aesthetic.”

Scott Meslow explores the uncertain future of the trilogy in film: “Unlike trilogies, quadrilogies tend to happen by chance: Audience demand for another installment is high enough that Hollywood executives shrug and give it to us.”

Turkish art student Murat Palta has created several paintings modeled after 16th century Ottoman miniatures—all featuring scenes from Hollywood. In this work, Palta aims to “blend traditional ‘oriental’ motifs and contemporary ‘western’ cinema.”

Palestine solidarity activists interrupted a screening at San Francisco’s LGBT Film Festival Saturday. Calling on its presenter, Frameline, to cut ties to the Israeli government, the queer activists urged the group to “stand up for the human rights of Palestinians.”

Twisted cult classic Whatever Happened to Baby Jane? (1962) is about to get a modern remake. Those behind the production say, “The idea is to make a modern film without modernizing the period. It needs to resonate the golden age of Hollywood.”

Over the next four years, a South Korean company aims to outfit roughly 200 American theaters with 4-D features. From pumping in smells to shaking seats and spraying water, the enhanced movie experience could cost viewers an extra $8 per ticket.

Film archivist Rick Prelinger extolls the virtues of home movies in 22 compelling points, including: “Personal expression, not corporate expression” and “Almost every one is a unique, unduplicated record of an unrepeatable moment.”

Addressing NYC’s gay history, the film series “Dirty Looks” will showcase queer artists in formally queer-centered spaces this month. Curator Bradford Nordeen’s aim is “to create a situation in which people understand or can celebrate the legacies that came before.”

New York’s Museum of Arts and Design is honoring the cultural impact of videotape this summer. VHS is part of the museum’s effort “to create a new kind of approach, one that reflects how cinema has grown to infiltrate more and more aspects of contemporary life.”