Archive Film
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FV
Art News from Elsewhere

Surveillance Teach-In
Via wnyc.org
Apr 2012
Laura Poitras, part of a surveillance teach-in at the Whitney Friday night, tells WNYC how she’s been detained dozens of times by US customs officials while making documentaries about “the suspension of the rule of law in the ‘war on terror.’”
FV
Art News from Elsewhere
Cage Does Cage
Via youtu.be
Apr 2012
Here’s 4 minutes 33 seconds worth of clips of a non-speaking Nicholas Cage in which only ambient noises are audible. Created by Adam Lucas, Cage Does Cage is an homage to John Cage’s 1952 conceptual art piece 4’33”, performed by the Ghostrider star.
FV
Art News from Elsewhere

Cannes 2012 Lineup
Via indiewire.com
Apr 2012
Just released, the Cannes 2012 lineup— “perhaps its best in years,” writes Oliver Lyttelton—includes Michael Haneke’s Amour, Abbas Kiarostami’s Like Someone In Love, David Cronenberg’s Cosmopolis, and Walter Salles’ On the Road, among others.
FV


Blogs



Still Dots #38
Crosscuts
Apr 2012
An image that will now be permanently (wondrously) imprinted on my memory, Still Dots #38 captures a particularly bizarre moment at the Casanova Club (or maybe it’s simply business as usual in this establishment). The Casanova Club offers a swanky refuge from the scarred postwar streets of Vienna, a sort of five-star oasis of stiff drinks and fine dining (they don’t even accept Holly’s army money…
FV
Blogs

Still Dots #37
Crosscuts
Apr 2012
Today’s frame puts us, for the first time thus far into our experiment, at the very end of a scene. Instants from this frame’s moment, a quick dissolve will take us out of the space of the British/Russian police headquarters and back into the seedy streets and nightclubs of black market Vienna. The old phrase has been reworked as, “It’s not over until the scowls.” As Matt deftly unearthed last…
FV


Art News from Elsewhere


The Demise of 35mm?
Via laweekly.com
Apr 2012
Celluloid is no longer the world’s top movie-projector technology, and by year’s end the majority of cinemas are expected to switch to digital projection, a fact that has directors like Christopher Nolan (Memento) fearing for the fate of elegant, costly 35mm film.
FV

Blogs


Still Dots #36
Crosscuts
Apr 2012
With the police detainment of Anna Schmidt, she and Holly Martins became separated for the first time since they’ve joined forces (or, maybe more accurately, since Holly roped Anna into tagging along for his investigation). While Anna paces the military office of Major Calloway, cutting slightly angular paths through a succession of canted frames, Holly is once again playing the Lone Vigilante…
EC
Art News from Elsewhere

Arts Rebound
Via artsusa.org
Apr 2012
After hitting an all-time low in 2009, the vitality of the arts industry, as measured by the newest National Arts Index, is rebounding. While funding remains a concern, “half of the 83 indicators used to tabulate the Index score increased” in the latest reporting period.
PA
Art News from Elsewhere

Merce’s Ocean
Via nytimes.com
Apr 2012
When Merce Cunningham’s dance company performed the choreographer’s magnum opus in a Minnesota quarry in 2008, filmmaker Charles Atlas was there. His Ocean, which captures the Walker co-production in vivid detail, screens this week as part of the Whitney Biennial.