Playing a “sound machine of limitless capacity,” New York-based composer and multi-instrumentalist Zeena Parkins is a pioneer of contemporary harp practice and performance. Over the last two years she’s been collaborating with the BodyCartography Project on Super Nature, which world premieres at the Walker this week, as well as the precursory work Mammal. Accomplished and […] Playing a “sound machine…

The Green Room: From on stage, back stage and the theater seats, the Performing Arts blog illuminates the intersecting worlds of dance, theater, and music.

The Green Room: From on stage, back stage and the theater seats, the Performing Arts blog illuminates the intersecting worlds of dance, theater, and music.

To spark discussion, the Walker invites local artists and critics to write overnight reviews of our performances. The ongoing Re:View series shares a diverse array of independent voices and opinions; it doesn’t reflect the views or opinions of the Walker or its curators. Today, Penelope Freeh shares her perspective on Thursday night’s Sombra by Maria Helena Pinto and […] To spark discussion, the…