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ArchiveVisual Arts Articles
Opening the Road Box
In the two years since the Walker acquired the Merce Cunningham Dance Company’s complete archive of sets, costumes, and performance objects, Cunningham Research Fellow Abigail Sebaly has been busy. She’s catalogued 3,443 costume pieces, helped with three research exhibitions, conducted some 40 interviews with Cunningham collaborators, and visited archives across the globe. Here she shares some of her finds.
St. Paul is spearheading a quiet revolution in public art. A 2009 city ordinance includes artists in the regulations by which the city makes and remakes itself. Here, artists don’t merely make sculptures and murals to adorn the urban landscape; they have a meaningful role in government. As a result, public art is so deeply placed in the workaday services of the city as to be indistinguishable from them.
I Am for an Art: Claes Oldenburg on His 1961 “Ode to Possibilities”
Claes Oldenburg’s most famous piece of writing, I Am For …, isn’t a manifesto. It’s a “slightly satirical ode or paean to the possibilities of using anything in one’s surroundings” to create art.
The Momentary Monument
Ten years after Thomas Hirschhorn pitched his idea for a temporary philosophy center on South Minneapolis’ Lake Street, the Swiss artist’s Gramsci Monument has been realized in the Bronx. Former Walker chief curator Philippe Vergne, now director of the Dia Art Foundation, discusses both projects and the ripple effect he hopes the New York “monument” leaves behind when it closes September 15.
Station to Station: Doug Aitken’s Polyphonic Culture Train
“Human beings need a starting point.” The motto for The Source, Doug Aitken’s video series on creativity’s origins, could easily be the slogan for Station to Station, the art train he’s taking across the US this month. While the trip has its concrete elements—a starting point, an ending point, some really heavy train cars—he sees it as entirely open-ended: whatever happens along the way is anybody’s guess.