ArchiveVisual Arts Slideshows
William Pope.L: The Will to Exhaust
As Gilles Deleuze put it, to exhaust is not to be tired; it is the will to begin again. In Pope.L’s performances—which have found the artist crawling the streets of Manhattan in a black suit or consuming pages of the Wall Street Journal—the willingness to reformulate our experiences of subjectivity and collectivity is about exhausting limitations in order to know what indeed is possible.
This Just In: A Year of Collecting
More than 200 works have entered the Walker’s collection during its 75th-anniversary year, through generous gifts, purchases out of Walker shows, and acquisitions made for the renovated Minneapolis Sculpture Garden. Standout examples include a work by Harlem Renaissance painter Beauford Delaney, installations by Danh Vo and Akram Zaatari, a Liz Larner sculpture, and a recent self-portrait by Chuck Close.
11 Posters Celebrating 30 Years of the Guerrilla Girls
Thirty years ago, a band of anonymous women artists in gorilla masks began raising hell about discrimination, sexism, and racism in the art world and beyond. In celebration of the activist art collective’s anniversary, we present our favorite posters from the Girls’ Compleat Portfolio, which will be exhibited during the just-announced Guerrilla Girls Twin Cities Takeover in early 2016.
Towards a New Digital Landscape
With dismal representation by women and people of color in tech and art fields, it’s time to imagine a new landscape of digital art, one that’s diverse and equitable, writes Black Contemporary Art founder Kimberly Drew. Here she highlights—in their own words—18 artists shaping this new terrain.
A Culture Wars Chronicle
As identity politics made their way into galleries and museums in the ’80s and ’90s, social conservatives took note, lashing out at artists like Robert Mapplethorpe, Karen Finley, and Ron Athey for work that addressed sexuality, multiculturalism, and LGBT rights. Featuring many of these artists, the Walker found itself at the center of the conversation—and the controversies—that marked the Culture Wars.
With an eye toward the future, and across disciplines and geography, the Walker’s collecting practices have long sought to support artists early in their careers. Looking at works in Art at the Center: 75 Years of Walker Collections, the exhibition’s curators tell the stories behind well-timed purchases of favorite works by artists including Chuck Close, Maya Deren, Cindy Sherman, and Za Wou-Ki.
Projecting the City
What can a city be? This year’s Northern Spark festival activates downtown Minneapolis, the riverfront, and the greenway around the theme “Projecting the City.” Dozens of artists will fill the night with performances, interactive art, and playful interventions that imagine new futures for the city or celebrate the best of what we’ve got. Here are some of the projects we’re most excited to see.
This Just In: New to the Walker Collection
Spanning geographies, generations, and media, new additions to the Walker collection help present this institution’s thinking about the changing nature of art as well as its responsibility to support artists. Together these 25 newly acquired works—by Adrian Piper, Shusaku Arakawa, Steve McQueen, Allan Sekula, and others—present a complex portrait of not only our holdings but of contemporary art today.
Opening the Road Box
In the two years since the Walker acquired the Merce Cunningham Dance Company’s complete archive of sets, costumes, and performance objects, Cunningham Research Fellow Abigail Sebaly has been busy. She’s catalogued 3,443 costume pieces, helped with three research exhibitions, conducted some 40 interviews with Cunningham collaborators, and visited archives across the globe. Here she shares some of her finds.