This week the Whitney Museum of American Art inaugurated its new gallery and studio space—a shipping container designed by LO-TEK. The six recycled shipping containers will provide an eco-friendly facility for education programs like art-making workshops.

Once hailed as a landscape architecture gem, Minneapolis’ timeworn Peavey Plaza is the site of conflict between preservationists set on saving M. Paul Friedberg’s work and those backing an Oslund & Associates-designed reimagining of the public space.

For a month starting May 25, Urbanscreen will have the iconic roof of the Sydney Opera House as its canvas. The German collective considers its 3D projections—in which “dancers try to explore the shape” of the building—architectural “remixing.”

Founded in 1880, the Hamilton Wood Type and Printing Museum in Two Rivers, Wisc., is a living museum: it displays its collection of 1.5 million pieces of wood type, while also working with designers like Matthew Carter to create new typefaces.

Ji Lee, whose World Trade Center Preservation Project is part of our Graphic Design: Now in Production show (opening at Cooper-Hewitt May 26), is back with Wordless Web, a browser bookmarklet that strips text from favorite websites.

Syracuse University just launched the Marcel Breuer archive, a repository for 30,000 digitized drawings, photographs, and letters by the modernist architect, including blueprints and models for his iconic 1961 Abbey Church at Minnesota’s St. John’s University.