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Articles
The Walker Joins Minnesota’s Arts Community in Opposing Marriage Amendment
Olga Viso
May 15
As an institution committed to free expression and fairness, we stand behind couples—regardless of gender—who wish to express their love and commitment for each other through marriage. Because of these values, the Walker proudly joins organizations across our state in endorsing the Minnesotans United for All Families Campaign, which aims to defeat the marriage amendment in November.
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The Art of Placemaking
Julie Caniglia
Apr 26
A new kind of planning process is focusing on cultural organizations, creative placemaking, and the insights of artists in order to reinvent downtown Minneapolis’ Hennepin Avenue. In the process, it’s bringing artists to the fore, and developing a sustainable alternative to traditional, big-money revitalization efforts.
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Fill-in-the-Blank: Candy Chang’s Urban Interventions and Open-Ended Questions
Paul Schmelzer
Apr 17
A graphic designer, guerrilla artist, and urban planner, Candy Chang has spent the last decade instigating site-specific interventions, from chalk stencils indicating nice spots for trees to a boarded house turned into a chalkboard for New Orleanians to share dreams. In advance of her Minneapolis visit, she paused to discuss street art, listening to community voices, and reclaiming public space.
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Ice Land
Paul Schmelzer
Jan 27
Uncharted territories, even in a relatively sparsely populated state like Minnesota, are few and far between. But each January, when the average temperature lingers around 7 degrees Fahrenheit, one such place comes into being, briefly, on the frozen surface of Medicine Lake, where artists reimagine ice-fishing shacks as the locus for a vibrant pop-up community.
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Design’s “Dark Lord” Discusses the Walker Art Center Black Metal Logo
Paul Schmelzer
Jan 19
Christophe Szpajdel, who has created some 10,000 brand marks since the 1980s, may be among the more prolific logo designers anywhere. He may also be one of the most unusual: he creates identities for bands such as Pyre, Vomit of Torture, and Godrot. When he visited Minneapolis for the opening of Graphic Design: Now in Production, Szpajdel added one more name to the list: the Walker Art Center.
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“Unmediatized” Architecture: VJAA Wins AIA’s Top Prize for Firms
Andrew Blauvelt
Dec 2011
What makes the work of Minneapolis-based VJAA’s architects so receptive for recognition? We can can safely rule out a few of the more obvious possibilities: they do not project the celebrity aura of the “starchitect,” nor do they dutifully reproduce a particularly recognizable style. In other words, despite all the awards, they do not intentionally cultivate a mediatized persona about their practice.
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Metahaven’s Facestate
Andrea Hyde
Dec 2011
“We are interested in the ways in which Facebook and government, Facebook and employers, Facebook and friends, Facebook and enemies constitute a power arrangement, and the way in which this constellation might influence politics, currency, and the social contract.” So says Metahaven of Facestate, their installation in the Walker’s design show.
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The Persistence of Posters
Andrew Blauvelt
Dec 2011
Technology did not render the poster obsolete as a means of communication. Instead, it expanded the tools, methods, and systems of production and distribution, freeing the poster from its typical burden of representation while sentencing it to a different kind of future.
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Anthony Burrill’s Advice for Living
Paul Schmelzer
Dec 2011
British designer Anthony Burrill is known for using older technology, namely Victorian wood type, to create posters bearing upbeat, quirky mantras like “Work Hard and Be Kind to People” and “Clear Your Head.” But he’s well aware how social media is changing design—and propelling his ideas around the globe.