Five Decades, Six Galaxies, and Counting: The AACM at 50
Musical revolutions tend to have a spontaneous outlier quality about them, writes Greg Tate. Fifty years ago in Chicago, far from the Manhattan clubs that drew jazz luminaries like John Coltrane, Sun Ra, and Ornette Coleman, the Association for the Advancement of Creative Musicians was born. Since then the group has carried “freedom swang” around the globe and, through a new wave of visionaries, into the future.
Visceral Live Therapy: A Babes in Toyland Comeback
Paul M. Davis
“I said I’d never, ever do a reunion,” guitarist and singer Kat Bjelland told Rolling Stone recently. And yet this June, after a 14-year hiatus, her seminal punk band Babes in Toyland is returning to the city of its inception to play Rock the Garden 2015. Paul M. Davis looks at the obstacles the band overcame to get here and the “visceral live therapy”—in Bjelland’s words—the reunion represents.
Il Treno di John Cage
A 1978 trip to Bologna to witness “a prepared train”—a happening on wheels, featuring John Cage and a host of Italian collaborators.
Indeterminate Adventures with Cage
During his four-decade relationship with the Walker, composer John Cage visited Minneapolis numerous times. As Walker director emeritus Martin Friedman recalls, these visits often veered toward the unexpected—fitting for an artist closely associated with the musical concept of Indeterminacy—from a late-night reading of James Joyce with Tony Smith to Sunday-morning mushroom hunting in a church yard.
The Ruins of the Culture Wars
“How has the national culture changed over the past half-century that we could elect a black president? Just as important,” writes Jeff Chang in his new book Who We Be: The Colorization of America, “how has it not changed?” Chronicling the rise and fall of multiculturalism through the lens of visual culture, Chang looks at political and aesthetic struggles for racial equity, inside the art world and out.
La Cultura de la Basura
“Where are the videos showing a woman in her role as sister—or protector, or economic head of family, or devoted daughter, or grandmother dignified in her old age?” In her Artist Op-Ed, Chilean hip-hop MC and activist Ana Tijoux looks at la violencia del cuerpo en la musica: the objectification of female pop stars, which she likens to “visual punches: it’s about snatching away the very beauty of women.”
Rethinking Collections Publishing for the Digital Age
For many in the museum world, the term scholarly collections catalogue can conjure daunting impressions: a book about a museum’s holdings, it involves years of collecting, researching, photographing, and writing, plus a huge printing budget, all to create a tome that is likely out of date the moment it hits the shelf. Enter The Living Collections Catalogue, the Walker’s new serial online publication.
“We have so little in common but we have deep love for each other,” says Sufjan Stevens of collaborators Son Lux and Serengeti. “And we’re pushing that stone together.” Formerly S/S/S, the trio Sisyphus is set to release a new self-titled LP. Commissioned by the Walker and SPCO’s Liquid Music, it takes inspiration—and its name—from the art of Jim Hodges, whose shining boulders are on the Walker hillside.
We’re surrounded by invisible forces, from neutrinos and radio waves passing through our bodies to gravitational and emotional forces pulling on us. In conversation with writer Sean Donovan, Luke Fischbeck and Sarah Rara of Los Angeles–based experimental art/music duo Lucky Dragons discuss the realms of the unseen and ways that science and mystery interact in their immersive art investigations.