Truth, Not Necessarily Reconciliation: Lola Arias Confronts Dictatorships
Lola Arias will not forgive and forget. When it comes to the military dictatorships that haunt the recent past of Chile and her home country of Argentina, the writer/director doesn’t think it’s possible. In El Año en que nací (The Year I Was Born), she brings together the Chilean sons and daughters born during Pinochet’s rule to confront, discuss, and understand—not to force a happy ending.
Penino Envy: Kuro Tanino on the Architecture of the Inner Life
The ubiquitous phallic symbols in Niwa Gekidan Penino’s The Room Nobody Knows—including penis-shaped furniture—stem in part from Toyko-based director Kuro Tanino’s former career as a psychiatrist. But they also represents the confusing Freudian power dynamic that exists between the play’s brothers—a nod to the “complex relationships” he had with his own brothers.