In the view of artist Tomás Saraceno, there’s nowhere for society to go but up. His floating sculptures employ principles from engineering, aeronautics, and architecture that rethink the way we experience space and relate to forms and to one another. Indebted to the ideas championed by visionaries such as architect Buckminster Fuller and artist Gyula Kosice, he makes objects and installations that…

In a Walker exhibition of the not-too-distant future, you’ll see a piece by San Francisco–based artist Trisha Donnelly. In 2005 the Walker acquired its first work by Donnelly—a drawing entitled Bend Sinister (2004)—and over the past two years has added two additional pieces, including the video Untitled (1998–1999). In it, the artist, dressed in white, performs in slow motion the signature “rock star…

The word “picnic” comes—though nothing is cast in bronze—from the French verb piquer (“pick” or “peck”) is associated with the rhyming nique (things of little importance). Richard Prince’s latest work, Untitled (Upstate), which made its premiere at the Walker, picks on and transcends things of little importance that populate the world. A full-sized basketball hoop and pole pierce the center of a beat-up old…

JoAnn Verburg holds two St. Paul zip codes—one for the apartment she shares with her husband, poet Jim Moore, and one for her studio, just south of the Wabasha Street bridge. But Verburg’s photography has always had a trajectory far beyond the Twin Cities. Many subjects of the portraits, landscapes, and still lifes that elevated her name in fine-art circles are East Coast artists and friends, Italian…