Light and Freedom: William Klein’s Pop Politics
Of his first film, a study of illuminated advertising signs in New York City, William Klein remarked, “I think it’s the first Pop film.” Critic and curator Ed Halter examines the Pop resonances in Klein’s work, from the beauty and the “brain-washing” quality of Times Square signage in Broadway by Light (1958) to the politically charged Vietnam-era satire Mr. Freedom.
Further Speculation on Digital Arts Media’s Future(s)
Brian Droitcour, Willa Köerner, Antwaun Sargent, and others weigh in on digital art publishing’s possible futures.
Archi-tourism is a web community waiting for its own digital address, writes Alexandra Lange. She longs for a dream site—“Archimaps, Designtrip, whatever”—to map her architectural explorations using smartphone photos. The trick: how to keep that contagious energy as you make snaps into an archive.
In a time of digital hyperacceleration and an ever-shifting technocultural landscape, we encounter an influx of trends, microgenres, and fads. But how do we talk about music when so much of what we listen to feels transitory and historically inconsequential? Marvin Lin explores our critical voice in the face of such expiring aesthetics.
Towards a New Digital Landscape
With dismal representation by women and people of color in tech and art fields, it’s time to imagine a new landscape of digital art, one that’s diverse and equitable, writes Black Contemporary Art founder Kimberly Drew. Here she highlights—in their own words—18 artists shaping this new terrain.
Homage to the 21st Century
After a 1964 coup in Brazil, intense censorship scattered artists across the globe or forced them to adopt less public forms of art-making. One, Antônio Henrique Amaral, is best known for large paintings of bananas, a critique that the military dictatorship was turning Brazil into a banana republic. “They can’t censor bananas,” said Amaral, who passed away April 24 at age 79, in this final interview.
Christopher Nolan: A Practical Magician of Modern Movies
A master of misdirection, director Christopher Nolan seems to methodically tell us what he’s doing, only to blindside us with his astonishing narrative reveals and reversals. Watch films like Memento, Batman Begins, and Inception with a concentrated gaze, and somehow he still manages to pull the rug out from under you—or, he leaves the rug in place but pulls out the room instead.
No !%@#s Given
“The web is where the exceptional force the hands of the famed and established to recognize they’ve been pushing things forward, without their blessing or awareness,” writes Andrew Flanagan of thestand4rd, the St. Paul independent hip hop/R&B quartet that has thrust itself into the limelight—even attracting the attention of Kanye West—in the 11 months since uploading its first single on SoundCloud.