On Roots and Reckoning
“How we tell our histories matters just as much as what we say,” writes art historian Catherine Damman in her reflection on Radical Presence: Black Performance in Contemporary Art. Noting that the exhibition’s artists—representing three generations—are in constant dialogue, she observes that the contributors all “share a fiercely devoted and yet deeply interrogative relation to history.”
The Siege on Citizenship
“The cloud renders geography irrelevant,” writes James Bridle, “until you realize that everything that matters, everything that means you don’t die, is based not only on which passport you possess, but on a complex web of definitions of what constitutes that passport.” The case of Mohamed Sakr, a man deprived of his UK citizenship and later killed by a US drone, shows how such definitions are under attack.
Rethinking Collections Publishing for the Digital Age
For many in the museum world, the term scholarly collections catalogue can conjure daunting impressions: a book about a museum’s holdings, it involves years of collecting, researching, photographing, and writing, plus a huge printing budget, all to create a tome that is likely out of date the moment it hits the shelf. Enter The Living Collections Catalogue, the Walker’s new serial online publication.
Making the “Best Cat Video on the Internet”
In the bottomless pit of cat videos that is the Internet, Henri 2: Paw de Deux was in 2012 named the very best of them all. Filmmaker Will Braden, the video’s creator and incoming curator of the 2014 Internet Cat Video Festival, discusses that distinction, the current landscape of viral cat videos, and how the ennui-prone Henri stands out in a growing crowd of “celebricats.”