Construction Update: We’re open! Enter the Walker through the underground parking garage or Hennepin Avenue doors.
No !%@#s Given
“The web is where the exceptional force the hands of the famed and established to recognize they’ve been pushing things forward, without their blessing or awareness,” writes Andrew Flanagan of thestand4rd, the St. Paul independent hip hop/R&B quartet that has thrust itself into the limelight—even attracting the attention of Kanye West—in the 11 months since uploading its first single on SoundCloud.
Pop and the Traveling Image
With the Walker’s International Pop now on view at the Philadelphia Museum of Art we revisit this discussion on the role of the traveling mass-produced image during the 20th century.
Future Perfect: The Walker’s One-Campus Vision
Sculptures are starting to be moved. Construction fencing is going up. And big changes are afoot. As we begin renovation of the Walker Art Center/Minneapolis Sculpture Garden campus, here’s a look at key features of the 19-acre project—from a new entry pavilion for the Walker to reconstruction of the 26-year-old Garden, the greening of Hennepin Avenue to the addition of hundreds of new trees.
A Culture Wars Chronicle
As identity politics made their way into galleries and museums in the ’80s and ’90s, social conservatives took note, lashing out at artists like Robert Mapplethorpe, Karen Finley, and Ron Athey for work that addressed sexuality, multiculturalism, and LGBT rights. Featuring many of these artists, the Walker found itself at the center of the conversation—and the controversies—that marked the Culture Wars.
Polemic of Blood
Ever since a suicide attempt at age 15, death has been a constant companion for Ron Athey—even more so since 1985, the year he tested positive for HIV. Until it wasn’t. Healthy on the 30th anniversary of his diagnosis, the 53-year-old performance artist reflects on the “post-AIDS” body, the 1994 performance that put him at the center of the Culture Wars firestorm, and his homecoming after six years abroad.
Five Decades, Six Galaxies, and Counting: The AACM at 50
Musical revolutions tend to have a spontaneous outlier quality about them, writes Greg Tate. Fifty years ago in Chicago, far from the Manhattan clubs that drew jazz luminaries like John Coltrane, Sun Ra, and Ornette Coleman, the Association for the Advancement of Creative Musicians was born. Since then the group has carried “freedom swang” around the globe and, through a new wave of visionaries, into the future.
Visceral Live Therapy: A Babes in Toyland Comeback
Paul M. Davis
“I said I’d never, ever do a reunion,” guitarist and singer Kat Bjelland told Rolling Stone recently. And yet this June, after a 14-year hiatus, her seminal punk band Babes in Toyland is returning to the city of its inception to play Rock the Garden 2015. Paul M. Davis looks at the obstacles the band overcame to get here and the “visceral live therapy”—in Bjelland’s words—the reunion represents.
Rock the Garden: 30 Facts about the 2015 Lineup
Modest Mouse’s UFO encounter. Belle & Sebastian’s children’s-hospital cover of “Don’t Stop Believing.” Babes in Toyland’s friendship with Cindy Sherman. thestand4rd’s Kanye connection. In announcing the Rock the Garden lineup we embraced the festival’s garden locale and did some digging. Here’s the full roster for 2015’s two-day festival, along with all the weird, wonderful facts we’ve unearthed.
The Thingness of the Thing
As time passes, the preservation of net.art will seem radically interpretive compared to traditional museum conservation, predicts Samek Art Museum director Richard Rinehart, with successive generations of artworks being technically, materially, and observably different from their parents. As evidence, he offers Piotr Szyhalski’s 1997 Walker-commissioned work Ding an sich, newly relaunched as an iPad app.