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Still Dots: A Comic
Crosscuts
Jan 10
In Still Dots, our yearlong dive into the deep end of Carol Reed’s The Third Man (1949), I became so obsessed I began to live and breathe Vienna. So much so, in fact, that I went so far as to draw a few pages of a comic book based on one of the film’s most […]
In Still Dots, our yearlong dive into the deep end of Carol Reed’s The Third Man(1949), I became so obsessed I began to live and breathe Vienna. So…
FV
Blogs

“The Future Seemed a Vague and Stupid Concept”: Memory and Empire in Tabu
Crosscuts
Jan 9
2012 festival favorite Tabu, by Portuguese director Miguel Gomes (The Face You Deserve, Our Beloved Month Of August), will have its area premiere at the Walker this weekend. Taking its title from F. W. Murnau’s 1931 film, Tabu contemplates the sublime connections between memory and cinema, a subject that Gomes has spoken about at length […]
2012 festival favorite Tabu, by Portuguese director Miguel Gomes (The…
PA
Blogs

Rude Mechs and the Beginning
The Green Room
Jan 7
I received the primer below for this weekend’s Out There opener from Rude Mechs’ co-producing artistic director andThe Method Gunwriter Kirk Lynn:
I heard this story once: A man asks a woman to marry him. The woman agrees. But there’s a condition. First the man must serenade the woman for a 1,000 nights. As the sun goes down every evening the man arrives and sings to the woman for 999 nights. But…





