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Catalog and Archive: two Szeemann designs
The Gradient
Dec 2012
For Craig Buckley’s fall workshop “Publication, Politics, and Print: Episodes from the Twentieth Century” each first and second-year student of the Yale Graphic Design MFA presented one or more publications from the special collections of either the Beinecke Rare Book and Manuscript Library or the Robert B. Haas Family Arts Library. I picked the catalogue […]
For Craig Buckley’s fall workshop “Publication…
PA
Blogs
All These Engines Working Hard: A Review of DIRTY BABY
The Green Room
Nov 2012
To spark discussion, the Walker invites local artists and critics to write overnight reviews of our performances. The ongoing Re:View series shares a diverse array of independent voices and opinions; it doesn’t reflect the views or opinions of the Walker or its curators. Today, filmmaker and writer Justin Schell shares his perspective on Thursday’s performance of DIRTY BABY. Agree […]
To spark…
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Feminist Movement: Deborah Hay, Artistic Survival, Aesthetic Freedom, and Feminist Organizational Principles
The Green Room
Nov 2012
Deborah Hay has liberated contemporary dance on many levels, from her early days in New York to her international influence today. Not in the least from within the design of how she chooses to disseminate her choreography. In my opinion, her multiple inventions and innovations for transmitting her aesthetic through community building are in line with the women’s rights movement and the…
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Deborah Hay: “Genius Rug-Puller”
The Green Room
Nov 2012
The other night, I was telling my husband about this show that he will be going to see next weekend, and after we chatted about it for a while, he seemed unsure and said, “Is it going to be old?” I responded, “Maybe, I don’t know.” I didn’t think much of this conversation until I was […]
The other night, I was telling my husband about this show that he will be going to see next weekend, and after we…
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The Making of the Lifelike Catalog
The Gradient
Nov 2012
Lifelike, a Walker-organized exhibition curated by Siri Engberg, and now on view at the New Orleans Museum of Art, is documented by its eponymous catalog. I sat down last March with João Doria to talk about the making (and thinking) of the book. Transcript of João Doria with Andrea Hyde on the Lifelike catalog J: […]
Lifelike, a Walker-organized exhibition curated by Siri Engberg, and now on view at the New…
