LATE LAST SUMMER I WROTE ABOUT 2B, the studio in the Hennepin Center for the Arts where I take ballet class: At the time that I wrote this, 2B had looked and felt this way for ten years or more; I thought it would go on looking like this for another ten. But today it’s completely different. The walls between the columns have been painted a rich fawn; caramel-colored velvet curtains hang over the…

Need a place to write a grant, hold a meeting, work and network with a creative community in the Twin Cities? Then ArtsHub may be for you.

Michaël Borremans’ subject matter consists of the “simultaneously nostalgic, darkly comical, disturbing, and grotesque.” But what attracts me most to Borremans’s work is the stillness he conveys in his paintings.

Lightsey Darst describes Black Label Movement’s “Visceral” concert as intensely physical, with dark psychological undertones — mesmerizing and exhausting.

This installment of YOU ARE HEAR, hosted by writer/comedian Brian Beatty, features two new stories, about what love leaves behind and superheroes shilling for cereal, by John Jodzio and the comedy duo Pommelhorse.

Miranda Trimmier’s article “The Wary Feminist” concerned her experience in a discussion put together by mnartists.org and the Walker around the Lynn Hershman Leeson documentary !Women Art Revolution (!WAR).

Talking to Mariusz Olszewski is like opening the door to a very crammed closet. Ask one question and everything comes tumbling out: ballroom dance, cultural anthropology, anecdotes about Martha Graham, philosophy…

Just between you and me, I have an aversion to suburbs — a strong one. I try not to make a big thing about it, and I don’t want to offend anyone (learned that one the hard way!), but I do find myself going to great lengths to avoid them.

Where to begin? With a body in space. The body breathes; it’s flexible, beautiful. But it has a thorn or splinter, an abscess or excess, that makes it rise and writhe in light.