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Archive
mnartists.org
634 Items
mnartists.org
A Midwestern Memory Palace
Via mnartists.org
Oct 2012
Andy Ducett’s 12,000-square-foot Soap Factory installation has been set up like a film, but the viewer gets to have a hand in making their own narrative as it unfolds around them.
mnartists.org
Tricks & Treats
Via mnartists.org
Oct 2012
This month’s episode of the You Are Here podcast features a spooky story by Rob Callahan, of Rockstar Storytellers, Cracked.com, and others.
mnartists.org
Seeking Judith Howard
Via mnartists.org
Oct 2012
“There’s hardly anyone in the dance scene who influences from so many angles,” writes Lightsey Darst of Judith Howard. “Howard’s touch shows up all over.”
mnartists.org
Here & After
and
Slippery Fish
Via mnartists.org
Oct 2012
Lightsey Darst reviews new performances by Time Track Productions and choreographer Penelope Freeh.
mnartists.org
The Password Effect
Via mnartists.org
Oct 2012
Jay Orff reviews Glasgow-based artist Sue Tompkins’ Its chiming in Normaltown, on view at Midway Contemporary Art.
mnartists.org
A National Conversation About Local Work
Via mnartists.org
Sep 2012
Between McKnight Solo, a hip-hop showcase at Intermedia Arts, and following the invite-only circuit for Minnesota Contemporary Dance Platform, our resident dance critic has had a very busy week.
mnartists.org
From Skin to Desire
Via mnartists.org
Sep 2012
Lightsey Darst reviews two dance shows, the seductive and provocative Dim All the Lights at Bryant Lake Bowl and unauthorized performances of Pina Bausch, Deborah Hay, and Richard Bull at Ivy Studio 206.
mnartists.org
All Work, No Play
Via mnartists.org
Sep 2012
Work and leisure are at the heart of this month’s You Are Hear podcast, which features poet, photographer, and performer Jeffrey Skemp, plus music by J. G. Everest and Matt Monsour.
mnartists.org
There are No Strangers Here
Via mnartists.org
Sep 2012
Ananya Dance Theatre’s new social-justice inspired dance—layered with complex theatrical elements and based in Indian classical dance—is a moving work, and Lightsey Darst tries to sort out why.
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