NYU’s Fales Library has digitized David Wojnarowicz’s journals. Dating from 1971 to 1991, the year before the artist died from AIDS-related complications, they chronicle everything from a 1971 Outward Bound trip to his time in New York.

Perhaps the greatest progress made over the last decade on James Turrell’s Roden Crater: The artist has finished detailed plans so the in-progress earthwork—already nearly 40 years in the making—can be finished without his involvement, if necessary.

Tate Britain’s new presentation of its permanent collection does away with the white didactic labels that have accompanied works since the museum opened under that name in 2000. It’s just one part of a “radical rethink” of the way the museum presents art.

I have just returned from a Merce Cunningham-related research journey to Japan, where I visited the Sogetsu Art Center’s archives at Keio University in Tokyo, and the Kyoto Costume Institute, among many other places.  While I reacquaint with this time zone and prepare a more thorough reflection, enjoy these images: