|
|
|
||
|
|
The first literary artist to appear in the series, Paul Beatty is a New York-based writer hailed as the "premier bard of hip hop." His two books of poetry and debut novel The White Boy Shuffle (1996) draw from popular culture references ranging from hip-hop and jazz to comic books, kung-fu films, and basketball obsessions. The San Francisco Review says, "Beatty's syncopative, intravenous linguistic groove is a deceptive foil to his crisp sociological cynicism and nonstop nihilism . . . he lets the hot air out of any self-aggrandizing movement, personage, belief, institution, or sect . . ." In its volatile mixture of pathos and humor, Beatty's work has been compared to the biting prose of Thomas Pynchon and Kurt Vonnegut as he takes us for a fast ride through America's cultural mosaic.
Minneapolis-based photographer Wing Young Huie uses his camera to document and analyze the changing urban landscape of the American city. For this exhibition, Huie presents his Lake Street Project, 1996-1999, the results of a three-year analysis of a single street in Minneapolis. Like the Frogtown neighborhood in St. Paul (the subject of his 1996 photographic project), the six-mile-long stretch of Lake Street encompasses a dizzying mixture of diverse socioeconomic, ethnic, and cultural realities. As the world has become increasingly globalized, so has Minneapolis; Lake Street has become home to immigrant communities of Hmong, Cambodian, Somali, and Ethiopian peoples existing alongside more established Latino, African-American, Native-American, and European-American communities. Always humanist in his approach and sensibility, Huie's documents without distancing, analyzes without attacking, leaving enough analytical flexibility in his images for their meanings to remain open to interpretation.
ABOUT THE ARTISTS Huie lives and works in Minneapolis and graduated with a B.A. in journalism from the University of Minnesota. His work has most recently been exhibited in Unfinished History at the Walker Art Center and the Museum of Contemporary Art in Chicago in fall 1998 and winter 1999. His book Frogtown: Photographs and Conversations in an Urban Neighborhood (1996) was published by the Minnesota Historical Society Press.
MAY RELATED EVENTS
MARCH RELATED EVENTS |