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SEPTEMBER 5, 1999-SEPTEMBER 2, 2001 ART IN OUR TIME: 1950 TO THE PRESENT Exhibition Galleries 4, 5, and 6 |
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When Italian avant-garde artist Lucio Fontana first slashed a thinly painted canvas with a knife in 1949, he helped radically redefine the nature of contemporary art practice. His paintings such as Concetto Spaziale--Attesa (Spacial Concept--Expectation) (1964-1965) gorgeously violate the surface of a canvas, thereby focusing our attention on art-making as an action in a world turned on its head by World War II. The Walker Art Center's new permanent collection exhibition, Art in Our Time: 1950 to the Present, presents a selection of works in all media by more than 60 artists that traces the shifts in art-making practices begun by painters like Fontana, while documenting the increasingly global, diverse, and multidisciplinary art world that these artists inspired. |
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FUTURE PAST:
The exhibition begins with works by postwar artists in the 1950s and 1960s who were experimenting with ways to move beyond representation and the confines of the flat canvas. Radically changing the practice of art-making, they pushed painting beyond its traditional limits into the realm of performance, sculpture, and installation, forever altering the landscape of contemporary art and setting the scene for the multiplicity of movements that emerged in the 1960s. The 1950s are best known for the ascendance of the American Abstract Expressionist painters such as Barnett Newman and Mark Rothko, whose works are well-represented in the Walker's collection. In recognition of a more global view of this period, Gallery 4 includes recently acquired works by international artists such as Japanese Gutai artist Kazuo Shiraga, Italians Lucio Fontana and Piero Manzoni, and Viennese Actionist Otto Muehl. Through various radical practices such as painting with their feet, cutting, shooting, and gouging the canvas, each of these artists challenged the assumptions underlying modernist painting, and in so doing laid the foundations for a new form of "modern" art-making that is still with us today. |
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PAST PERFECT:
In Gallery 5 the exhibition moves into the 1960s and 1970s with prime examples of Pop Art, Minimalism, Conceptualism, performance, and politically charged art indicative of this period. Represented here is a mosaic of the wide range of art practices and movements that emerged within a short period of time. Objects from our day-to-day world made their presence felt in the artistic realm with works such as the recently acquired Flashlight (1960) by Jasper Johns. By taking this ordinary object and casting it in bronze, a traditional art material, Johns asks us to look at our own world in a different light. This attention to the everyday was continued in the work of Pop artists such as Andy Warhol and Roy Lichtenstein, who drew their source materials from the realm of popular consumer culture. But there were as many different types of materials used to make art in this period as there were movements, and this gallery includes works that begin to incorporate materials such as video, aluminum, fluorescent lights, wax, oil paint, and bronze. In works as divergent as David Hammons' Flight Fantasy (1976), an assemblage sculpture of human hair and record vinyl, or Nam June Paik's TV Bra for Living Sculpture (1969), a woman's brassiere made from small television sets, we see artists focusing their attention through many lenses on the world that surrounds us. |
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PRESENT TENSE:
Gallery 6 brings us to the present with contemporary works that speak to the fears and hopes of a changing world. On view are our contemporaries--established and emerging artists who continue to challenge and revise traditional art practices while forging a singular expression of their own unique world views. A central work in this gallery is the recently acquired Unpainted Sculpture (1997) by Charles Ray. This life-sized fiberglass cast of a wrecked car is both a haunting evocation of the fragility of life and a meditation on the state of sculpture and culture at the end of the century. Another recent acquisition is Kara Walker's portfolio of powerful diaristic drawings that examine American history from her point of view as an African-American woman. With established artists such as On Kawara and Sigmar Polke, or younger artists such as Sharon Lockhart and Mike Kelley, the Walker's permanent collection continues its commitment to the new with challenging and risk-taking artists from across the globe who examine the questions that shape and inspire us as individuals, cultures, and communities. |
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RELATED EVENTS FREE TOURS FREE TOURS FREE FIRST SATURDAY
FREE FIRST SATURDAY
FREE THURSDAYS
FREE FIRST SATURDAY SUNDAY
FUN WORKSHOP: MIRROR ON THE WALL WALKER
AFTER HOURS: A WORLDLY EXPEDITION ART IN OUR TIME: 1950 TO THE PRESENT IS MADE POSSIBLE BY
GENEROUS SUPPORT FROM JEANNE AND RICHARD LEVITT AND NORWEST BANK MINNESOTA. |
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