Walker Art Center

82° FFairVia Yahoo! Weather

The Visual Arts program illuminates the links between contemporary art and life by presenting, preserving, and commissioning the most compelling art of today. The Walker’s renowned collection and groundbreaking exhibitions engage audiences worldwide. More

Featured Exhibition

VA

Exhibitions

Art Expanded, 1958–1978

Drawn from the Walker’s extensive collection of artworks, films, archival materials, and ephemera, this exhibition explores the many facets of the so-called “expanded arts” scene of the 1960s and ’70s, charting a transformational phase in the history of 20th-century art when artists around the world collectively began to challenge, critique, and upend… More

Featured Article

PA

Paul Schmelzer

Shifting Terrains: Fionn Meade on the Cross-Disciplinary

As the hard edges between disciplines continue to dissolve, the Walker is intensifying its investigations into what artistic boundary-crossing means and how curators must adapt to the needs of artists and audiences in this new reality. Fionn Meade… More


VA

Catherine Damman

On Roots and Reckoning

“How we tell our histories matters just as much as what we say,” writes art historian Catherine Damman in her reflection on Radical Presence: Black Performance in Contemporary Art. Noting that the exhibition’s artists—representing three generations—are in… More

VA

James Bridle

The Siege on Citizenship

“The cloud renders geography irrelevant,” writes James Bridle, “until you realize that everything that matters, everything that means you don’t die, is based not only on which passport you possess, but on a complex web of definitions of what constitutes that passport… More

EC

Paul Schmelzer

Rethinking Collections Publishing for the Digital Age

For many in the museum world, the term scholarly collections catalogue can conjure daunting impressions: a book about a museum’s holdings, it involves years of collecting, researching, photographing… More


PA

Paul Schmelzer

Shifting Terrains: Fionn Meade on the Cross-Disciplinary

As the hard edges between disciplines continue to dissolve, the Walker is intensifying its investigations into what artistic boundary-crossing means and how curators must adapt to the needs of… More

VA

Paul Schmelzer

Laugh at Death: Kris Martin on Time, Absence, and Humor

As spring reminds us of the life/death/life cycle, a new work in the Minneapolis Sculpture Garden stands as a marker of such transitions. The clapperless bell in Kris Martin’s For Whom… offers a… More

EC

Chris Fischbach

Edward Hopper Painting Hosts Writers’ Residency

When asked to take up “residency” in Edward Hopper’s 1940 painting Office at Night, Kate Bernheimer agreed, then asked the Walker if period costumes would be provided. It turns out the resulting novella she and Laird Hunt wrote… More