Walker Art Center

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The Visual Arts program illuminates the links between contemporary art and life by presenting, preserving, and commissioning the most compelling art of today. The Walker’s renowned collection and groundbreaking exhibitions engage audiences worldwide. More

Featured Exhibition



Art Expanded, 1958–1978

Drawn from the Walker’s extensive collection of artworks, films, archival materials, and ephemera, this exhibition explores the many facets of the so-called “expanded arts” scene of the 1960s and ’70s, charting a transformational phase in the history of 20th-century art when artists around the world collectively began to challenge, critique, and upend… More

Featured Article


Paul Schmelzer

Shifting Terrains: Fionn Meade on the Cross-Disciplinary

As the hard edges between disciplines continue to dissolve, the Walker is intensifying its investigations into what artistic boundary-crossing means and how curators must adapt to the needs of artists and audiences in this new reality. Fionn Meade… More


Olga Viso

Question Everything

What does it mean to present the art of our time? Why do we need a safe place for unsafe ideas? How can art show us who we are—and aren’t? The Walker’s founding as a public art center in 1940 was sparked by a question, and during the 75 years since it’s been… More


Nicole J. Caruth

A Seat at the Table

The metaphor of the table evokes images of folks coming together to break bread or discuss personal and political issues. For Seitu Jones and Theaster Gates, the table is more than a metaphor; it’s a medium. In the Twin Cities, their tables are provoking dialogue… More


Joan Rothfuss

Topless Cellist

“A female shaman for the McLuhan age,” Juilliard-trained cellist Charlotte Moorman is best known as Nam June Paik’s formidable collaborator, often performing nude as she activated his avant-garde works. In this exclusive excerpt from Topless Cellist, art historian… More


Okwui Okpokwasili

Beyoncé the Readymade

“A machine, a high-powered Porsche, hip-hop technology. She consumes everything around her.” In Ralph Lemon’s Scaffold Room, this is how Beyoncé is discussed—as an overwhelming force of capital that takes over our senses. With Lemon’s work as a jumping-off point… More


Dread Scott


“If you’re the head of an empire and see that an unarmed youth is gunned down by the police and your advice is for people to be calm,” writes Dread Scott in his essay on Michael Brown’s death, “your rule is illegitimate.” Taking his name from the slave who… More


Paul Schmelzer

The Art of Response-ability

“We’re interested in this idea of taking something that is permanent, that seems incontestable, and rendering it fragile, ephemeral, open to questioning,” said Jennifer Allora, half of the art-making team Allora & Calzadilla. Ten years… More