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Collections> Browse > Buste de Diego (Bust of Diego)

Collections> Browse > Buste de Diego (Bust of Diego)

Caption
studio view from front
Image
Courtesy Walker Art Center
studio view from front Image Rights
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Caption
studio view from front
Image
Courtesy Walker Art Center
Rights
© Artists Rights Society (ARS), New York / ADAGP, Paris

Copyright

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Title
Buste de Diego (Bust of Diego)
Date
circa 1954
Dimensions
overall 15-1/16 × 13-1/8 × 7-5/16 inches
Materials
bronze
Location
Not on view

Object Details

Type
Sculpture
Accession Number
1957.1
Edition
1/6
Inscriptions
on reverse BR “Alberto Giacometti 1/6”; on reverse BL “SUSSE FONDEUR Paris”
Credit Line
Gift of the T. B. Walker Foundation, 1957

curriculum resource Alberto Giacometti, Buste de Diego (Bust of Diego) (circa 1954) Walker Art Center, 2002

“Art interests me very much, but truth interests me infinitely more.”–Alberto Giacometti

Born into a family of artists, Alberto Giacometti began his study of drawing, painting, and sculpting at a young age. His father, a well-known painter, sent him to study in Geneva, Italy, and then Paris, where after several years he left the academy to explore nontraditional ideas and forms. He was drawn to the Surrealist experimentation with the human subconscious as expression of art. Influenced by these ideas, Giacometti began working from memory and imagination rather than copying from nature. By this time, sculpture had emerged as his main artistic passion, although he never stopped drawing and made a name for himself as a superior draftsman.

Buste de Diego (Bust of Diego) is a portrait of the artist’s brother, who remained Giacometti’s main model, studio assistant, and close friend throughout his artistic career. This bust of Diego demonstrates Giacometti’s interest in distorting the scale of the human figure–the narrow head sits on a spindly neck attached to the massive broad shoulders that weigh the sculpture down. This elongated figure standing alone in the space evokes an atmosphere of isolation or loneliness, a feeling common in Giacometti’s sculptures, which have been interpreted as symbols of human spiritual alienation.

Text for Alberto Giacometti, Buste de Diego (Bust of Diego) (circa 1954), from the curriculum guide So, Why Is This Art?, Walker Art Center, Minneapolis, 2002.

Copyright 2002 Walker Art Center