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Collections Browse Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)

Collections Browse Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)

Caption
PHOTO-SOUVENIR
Image
Courtesy Walker Art Center
PHOTO-SOUVENIR Image Rights
Image Rights
Close
Caption
PHOTO-SOUVENIR
Image
Courtesy Walker Art Center
Rights
Photo Reproduction © (year) Daniel Buren

Copyright

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Title
Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric)
Artist
Daniel Buren
Date
1966
Dimensions
framed 90.875 × 79.375 × inches
Materials
acrylic on fabric
Location
Not on view

Object Details

Type
Paintings (Paintings)
Accession Number
2007.60
Physical Description
A stretched piece of orange and white striped fabric with white acrylic paint stripes at the left and right edges. Fabric has stitched seams in multiple locations.
Credit Line
T. B. Walker Acquisition Fund, 2007/Photo Reproduction © (year) Daniel Buren

object label Daniel Buren, Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric) (1966) Walker Art Center, 2009

A visit to a Parisian market in 1965 marked a defining moment in Daniel Buren’s career. There, he came upon the materials that would henceforth define his practice: rolls of preprinted awning fabric with alternating white and colored stripes in green, red, yellow, blue, orange, brown, or black. At a standardized 8.7 centimeters, the equal distance between stripes meant that he was able to dispense with the traditional figure/ground distinctions in painting and make a flat and neutral work. As he asked in a 1969 manifesto, “… can one create something that is real, nonillusionistic, and therefore not an art object?”

For this work, Buren attached the fabric to a stretcher and painted the sides white. He reasoned that without his visible mark-making, viewers would consider this a “readymade,” implying an unwanted connection to Dadaist artist Marcel Duchamp’s practice of turning everyday objects into art by placing them in the context of a gallery or museum.

Walker Art Center. Extended label for Daniel Buren, Peinture acrylique blanche sur tissu rayé blanc et orange (White acrylic painting on white and orange striped fabric), from the exhibition Event Horizon, November 21, 2009 to August 26, 2012.

Copyright 2009 Walker Art Center