“I am for an art that imitates the human, that is comic, if necessary, or violent… . I am for an art that takes its form from the lines of life itself, that twists and extends and accumulates and drips, and is heavy and coarse and blunt and sweet and stupid as life itself.”–Claes Oldenburg
After settling in New York in 1952, Claes Oldenburg became interested in making art that broke away from traditional forms (such as painting) and venues (such as galleries). During the late 1950s and early 1960s his performances, Happenings, environments, and other works drew on the growing consumerism of American culture, including advertising, comic books, and television, and he became associated with the newly developing Pop Art movement.
The sculpture Shoestring Potatoes Spilling from a Bag and a companion piece entitled Giant Soft Ketchup Bottle (1967) were inspired by an advertisement in a 1965 issue of Life magazine. In typical fashion, Oldenburg transforms the object by greatly enlarging its scale and using unexpected materials. Caught spilling from the bag in a frozen free fall, the fries are transformed into a satirical emblem of the basest level of American culture–greasy fast food to go.