Archive New Media
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Art News from Elsewhere

Back to the Water
Via guardian.co.uk
May 2012
Falling in a lake at age 6 was a seminal experience for Bill Viola. “I saw the most beautiful world I’d ever seen: fish, shafts of light, plants waving in the breeze. That’s why my art has so much to do with water—because I dream about going back to that place.”
NM

Art News from Elsewhere


Browser-Based Art
Via thecreatorsproject.com
May 2012
Work from net.art’s heyday can be a letdown when experienced through modern web browsers, writes Ben Fino-Radin. It’s like music: “Having the score or source code is not sufficient if it is not performed with the proper instrumentation.”
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Art News from Elsewhere

“No Text Means No Context”
Via wordlessweb.com
May 2012
Ji Lee, whose World Trade Center Preservation Project is part of our Graphic Design: Now in Production show (opening at Cooper-Hewitt May 26), is back with Wordless Web, a browser bookmarklet that strips text from favorite websites.
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Art News from Elsewhere

Street Hacking
Via nytimes.com
May 2012
National Design Award winner Evan Roth, whose EyeWriter gave paralyzed graf artist Tempt1 a way to draw with his eyes, says, “When I look at graffiti artists, I see hackers — a community of people who are making their own tools and subverting systems to tell stories.”
NM
Art News from Elsewhere
Catalogue.com
Via futurebook.mit.edu
May 2012
In advance of this week’s MIT conference “Unbound: Speculations on the Future of the Book,” the Walker’s Brooke Kellaway ponders the future of permanent collections catalogues and discusses the relaunch later this year of collections.walkerart.org.
NM
Art News from Elsewhere

2012 Muse Awards
Via mediaandtechnology.org
Apr 2012
At the 2012 American Association of Museums (AAM) annual meeting, going on in Minneapolis through May 2, the new Walker website was awarded a Gold Muse for Online Presence. Congratulations to all Muse winners!
NM


Art News from Elsewhere



Descriptive Camera
Via mattrichardson.com
Apr 2012
Digital cameras capture “gobs of parsable metadata about photos”— where they’re taken and when, say — but nothing about what’s in the shot, writes Matt Richardson. His new invention changes that: “The Descriptive Camera only outputs the metadata about the content.”
NM
Art News from Elsewhere

Techno Overload
Via artinfo.com
Apr 2012
“When even the technologists start thinking that technology might be a little too overbearing, something may be up,” writes Ben Davis of a theme that he noticed emerging at Rhizome’s recent “Seven on Seven” conference on art and technology.
