Spite doesn’t seem to underpin art in William Powhida’s new LA show, which apes artworld “formulas” from Cattelan-style taxidermy to Richterian abstraction, writes Holly Myers. He sincerely asks, “How does the art world work and how should we feel about that?”

What’s it feel like being curated? Eight artists weigh in on the rise of the curator and what it means, including W.A.G.E., Slavs and Tatars, and Daniel Buren, who revisits his 1972 statement “Exhibiting Exhibitions.”

Some of Andy Warhol’s most iconic works are absent from a just-opened show at Shanghai’s Power Station of Art—his portraits of Chairman Mao. It was a “mutual decision” between the center and the Andy Warhol Museum, which loaned some 300 works for the exhibition.

Fresh off an appeals court ruling in his favor (mostly) in the copyright-infringement case Cariou vs. Prince, Richard Price is out with another work of appropriation: a composite made from all 57 of the women Jerry Seinfeld dated on his long-running sitcom.

Overturning a March ruling, an appeals court judge has found that Richard Prince largely did not infringe on the copyright of Patrick Cariou in his “Canal Zone” paintings: his use of Cariou’s photos of Rastafarians was deemed “fair use” in 25 of 30 cases.

“A streak of subversive humour” runs through the work of artists named to the 2013 Turner Prize. Congrats to Lynette Yiadom-Boakye, Tino Sehgal, Laure Prouvost and David Shrigley, who’ve been nominated for the £40,000 prize.

Facing perilously rising sea levels, Tuvalu and the Maldives are using their pavilions at the 2013 Venice Biennale to highlight climate change. The island nations will feature projects that both poetically and concretely address the crisis.

While best known for playing psychologist Maj. Sidney Freedman on M*A*S*H, Allan Arbus—who passed away Monday at 95—started out as a fashion photographer. A photo he took with then-wife Diane Arbus was featured in The Family of Man.