The new Palestinian Museum scheduled to open in Birzeit next year, is only political, says curator Jack Persekian, “in the sense that it provides spaces and opportunities for Palestinians to shape their own historical narrative and to engage with it.”

For a new show in Hong Kong, Ai Weiwei has created a map of China using 1,815 cans of baby formula. After six children died from melamine-tainted milk in China in 2008, many on the mainland have turned to Hong Kong in search of new sources of milk powder.

In curating the 2013 Venice Biennale, Massimiliano Gioni isn’t creating an “anti-Biennale,” as Francesco Bonami put it. With The Encyclopedic Palace, he’s aiming for “a temporary museum more than simply a show that captures the supposed zeitgeist.”

NYU’s Fales Library has digitized David Wojnarowicz’s journals. Dating from 1971 to 1991, the year before the artist died from AIDS-related complications, they chronicle everything from a 1971 Outward Bound trip to his time in New York.

Perhaps the greatest progress made over the last decade on James Turrell’s Roden Crater: The artist has finished detailed plans so the in-progress earthwork—already nearly 40 years in the making—can be finished without his involvement, if necessary.