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It’s Complicated: The Institution as Publisher
What does it mean for a museum to function as a publisher now, in 2015? Publishing is no less complicated an endeavor within an institutional context than it is in the external “real” world, where the presence of a consumer-grade Internet began altering the social production, consumption, and distribution of text some decades ago, writes the Whitney Museum of American Art’s digital media director.
An Activism of Affirmation
An Xiao Mina
From #BlackLivesMatter to the #UmbrellaMovement, the Web helps artist-activists inform, inspire, and organize around key issues. But art can play a special role within social-change movements as well: It can help transform the Internet into a space for affirmation, self-worth, and emotional healing.
Towards a New Digital Landscape
With dismal representation by women and people of color in tech and art fields, it’s time to imagine a new landscape of digital art, one that’s diverse and equitable, writes Black Contemporary Art founder Kimberly Drew. Here she highlights—in their own words—18 artists shaping this new terrain.
The Thingness of the Thing
As time passes, the preservation of net.art will seem radically interpretive compared to traditional museum conservation, predicts Samek Art Museum director Richard Rinehart, with successive generations of artworks being technically, materially, and observably different from their parents. As evidence, he offers Piotr Szyhalski’s 1997 Walker-commissioned work Ding an sich, newly relaunched as an iPad app.
“Oh, Ask This!”
A conversation with Piotr Szyhalski and Richard Shelton, the creators of Dolphin Oracle II, Sarah Schultz, director of education and community programs, and Andrew Blauvelt, design director and curator, winter 2005. Sarah Schultz: Perhaps we should start with Dolphin Oracle I, the original project you created in 2004. Richard Shelton: We thought it would be interesting to take this new-age symbol of the…
Rethinking Collections Publishing for the Digital Age
For many in the museum world, the term scholarly collections catalogue can conjure daunting impressions: a book about a museum’s holdings, it involves years of collecting, researching, photographing, and writing, plus a huge printing budget, all to create a tome that is likely out of date the moment it hits the shelf. Enter The Living Collections Catalogue, the Walker’s new serial online publication.
Reddit’s Alexis Ohanian on Tech, Epic Fails, and Social Change
With millions of users worldwide, Reddit.com has become a bona fide cultural force. It’s hosted Q&As with the likes of Barack Obama and Stephen Colbert, launched web memes like Grumpy Cat, and championed activist causes, from fighting the PROTECT IP Act to winning a Greenpeace whale-naming contest. In a wide-ranging interview, cofounder Alexis Ohanian discusses failure, activism, and the Internet.
Station to Station: Doug Aitken’s Polyphonic Culture Train
“Human beings need a starting point.” The motto for The Source, Doug Aitken’s video series on creativity’s origins, could easily be the slogan for Station to Station, the art train he’s taking across the US this month. While the trip has its concrete elements—a starting point, an ending point, some really heavy train cars—he sees it as entirely open-ended: whatever happens along the way is anybody’s guess.
2012: The Year According to Julian Bleecker
For a futurist, our request might have been unwelcome: look back. Thankfully, artist and technologist Julian Bleecker agreed, offering his top 10 moments from 2012 in a list that ranges from acts of God (Hurricane Sandy) to the completely man-made (Instagram and “computational photography” cameras) to the pop cultural and artistic (Frank Ocean, Tom Sachs, and the death of the Beastie Boys’ Adam Yauch).