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The Man behind the Microphone
“Oct. 2 — Sex and Death to be performed in a big formal 350-seat auditorium at Walker Arts [sic] Center. It was overwhelming after small galleries and a grange hall. I suggested that they put chairs on the stage all facing my table, and they did it. All those empty black chairs facing the backdrop looked like the setting for a symphony orchestra headed the wrong way. The audience came in cautiously. Most…