Moriah Evans: }[…/+*^%<>€£¥$&@!!!!^^^]{
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“[Moriah Evans’s] method of framing everyday actions and amplifying them is emotional, joyful, earthy and even humorous.” —New York Times
In her new Walker dance commission, artist and choreographer Moriah Evans questions how our bodies serve as sites of political and existential conundrums. The work unfolds within the Walker’s winding interior and spills into a dramatically reimagined McGuire Theater. In }[…/+*^%<>€£¥$&@!!!!^^^]{, a cascade of physical entanglements, mesmerizing choreography, and a deliberately unsayable title keep us attuned to the present moment.
For this presentation, three esteemed Twin Cities dancers—Benny Olk, jess pretty (both Choreographers’ Evening curators), and Carlo Antonio Villanueva—join performers Cyril Baldy, Malcolm-x Betts, Chloë Engel, Kris Lee, João dos Santos Martins, Sarah Beth Percival, and Varinia Canto Vila.
Walker Commission.
Production team: Scenography by Doris Dziersk, lighting by Madeline Best, costumes by Strauss Bourque-LaFrance, technical direction by Dyer Rhoads, studio direction by Margaret Knowles, and music by David Watson.
If you have questions about accessibility at the Walker or would like to request an accommodation, please contact Visitor Services at access@walkerart.org or 612-375-7564 at least two weeks before the event.
Content note: There are artistic representations of death and renewal enacted in this piece. In a section where performers improvise some language, explicit language may be used and references to politics, violence, and other mature subject matter may be made.
Part of: Performing Arts Season 2026–27
Program Notes for Moriah Evans: }[…/+*^%<>€£¥$&@!!!!^^^]{
Commissioned by the Walker Art Center and The Chocolate Factory Theater, with additional creation and development support provided by the Vera List Center for Art and Politics at The New School. Program support provided by the Constance and Fuller Cowles Foundation, Bruno Freeman, and the Serendipitous Leverage Fund.